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Thrower (Grey) VIP - Signed Print by Banksy 2019 - MyArtBroker

Thrower (Grey) VIP
Signed Print

Banksy

£100,000-£150,000Value Indicator

$210,000-$310,000 Value Indicator

$180,000-$280,000 Value Indicator

¥960,000-¥1,450,000 Value Indicator

120,000-170,000 Value Indicator

$1,050,000-$1,580,000 Value Indicator

¥19,960,000-¥29,950,000 Value Indicator

$130,000-$200,000 Value Indicator

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Edition of 300, Screenprint

Medium: Screenprint

Edition size: 300

Year: 2019

Signed: Yes

Format: Signed Print

Last Auction: June 2025

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2025
Phillips London
United Kingdom
$120,000
$140,000
$170,000
January 2025
Phillips London
United Kingdom
March 2023
Sotheby's Online
United Kingdom
September 2022
Christie's London
United Kingdom
September 2022
Phillips London
United Kingdom
August 2022
Sotheby's Online
United Kingdom
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Track auction value trend

The value of Banksy's Thrower (Grey) VIP (signed) is estimated to be worth between £100,000 and £150,000. This screenprint, created in 2019, has shown strong value growth, with an average annual growth rate of 20%. This work has an impressive auction history, having been sold 6 times at auction since its initial sale on 17th August 2022. The hammer price over the past 12 months has ranged from £95,000 in January 2025 to £171,360 in August 2022. The average return to the seller is £114,676. The edition size of this artwork is limited to 300.

Created with Highcharts 11.4.8Aug 2022Feb 2023Jul 2023Jan 2024Jul 2024Dec 2024Jun 2025$100,000$120,000$140,000$160,000$180,000$200,000© MyArtBroker

Meaning & Analysis

Banksy’s Thrower print represents an evolution of one of his most famous pieces of street art entitled Love Is In The Air (Flower Thrower). The work shows a man with a bandana over his face frozen in the act of throwing not a brick or a molotov cocktail, but a bunch of flowers at an unseen target, and could be read as conveying a message of pacifism, perhaps referencing a photograph by Bernie Boston entitled Flower Power in which a Vietnam War protester is shown inserting a flower into the barrel of a soldier’s gun.

The present version splits the design into three parts. The original description for the work explains that the piece represents ‘Banksy’s first experiment with a new technique for making prints – spray the stencil onto processing film and expose the result directly onto a silk screen.’ In this way Banksy is returning to more manual techniques of printing, avoiding digital methods of manipulation in order to perfectly recreate the striking marks of the original design. In doing so Banksy appears to be referring back to the origins of screen printing as a medium in fine art, recalling a pre-digital age when artists such as Andy Warhol and Keith Haring transferred their images directly onto a screen to be reproduced over and over, heralding a new era for the dissemination and commodification of art.

With its classical stencilled style the work also harks back to Banksy’s origins as a street artist, the stencil representing the quickest way for the artist to insert his image into the urban environment whilst surrounded by CCTV and the eyes of the police. Referenced and reproduced multiple times, the flower thrower has become part of the canon of street art, becoming as instantly recognisable as Banksy’s rats or monkeys.

Dimensions:

Left Panel: H 74cm x W 55cm

Centre Panel: H 92cm x W 61cm

Right Panel: H 37cm x W 47cm

  • Renowned British street artist, Banksy, is the enigmatic figure behind some of the most subversive works in the Urban Art scene. Despite his anonymity, the artists' disruptive stunts have not only gained him notoriety, but they have vocalised his stance on many social and political issues. As seen with the likes of Girl With Balloon and Napalm, Banksy uses his distinctive stencil technique to produce thought-provoking commentaries on challenging themes. The showcase of rebellion that lines his work has caused his secondary market value to soar in recent years, propelling him to the top of the Urban Art scene.