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Sarah Bernhardt (F. & S. II.234) - Signed Print by Andy Warhol 1980 - MyArtBroker

Sarah Bernhardt (F. & S. II.234)
Signed Print

Andy Warhol

£23,000-£35,000Value Indicator

$50,000-$70,000 Value Indicator

$45,000-$70,000 Value Indicator

¥220,000-¥340,000 Value Indicator

€27,000-€40,000 Value Indicator

$250,000-$370,000 Value Indicator

¥4,580,000-¥6,970,000 Value Indicator

$30,000-$50,000 Value Indicator

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101 x 81cm, Edition of 200, Screenprint

Medium: Screenprint

Edition size: 200

Year: 1980

Size: H 101cm x W 81cm

Signed: Yes

Format: Signed Print

Last Auction: April 2025

Value Trend:

11% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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2 in network
4 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2025
Wright
United States
N/A
N/A
N/A
February 2025
Lama
United States
April 2024
Sotheby's New York
United States
June 2017
Phillips London
United Kingdom
October 2015
Phillips New York
United States
April 2010
Christie's New York
United States
July 2002
Christie's London
United Kingdom
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Track auction value trend

The value of Andy Warhol’s Sarah Bernhardt (F. & S. II.234) (signed) is estimated to be worth between £23,000 and £35,000. This screenprint has shown consistent value growth, with an average annual growth rate of 11%. This is a popular artwork, having been sold 8 times at auction since its initial sale on 14th December 1999. In the last 12 months, the average selling price was £22,991, across 2 total sales. In the past five years, the hammer price has ranged from £11,382 in April 2024 to £26,694 in April 2025. The edition size of this artwork is limited to 200.

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Meaning & Analysis

The portrait shows Bernhardt’s beautiful, ethereal face beneath layered, tilted squares of red and blue colour fields, as though collaged onto the print. The result is decidedly geometric and produces a jarring and electric image. Much like other prints in this series, the bright colours bring the original photograph to life, transporting it into the context of the 1980s.

The Ten Portraits Of Jews Of The Twentieth Century series focuses on deceased subjects thus characterising the prints with the inescapable theme of mortality. The posthumous depictions of these famous faces appear as if behind a veneer of modernity, their person belonging to the past whilst their image endures in the present. Using a mixture of hand drawn lines, abstracted geometric shapes, bright colours, and the original photographic image, Warhol sustains the tension between representation and reality that points to the artificial surface image of fame in the 1980s.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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