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Sex Parts (F. & S. II.174) - Signed Print by Andy Warhol 1978 - MyArtBroker

Sex Parts (F. & S. II.174)
Signed Print

Andy Warhol

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79 x 60cm, Edition of 30, Screenprint

Medium: Screenprint
Edition size: 30
Year: 1978
Size: H 79cm x W 60cm
Signed: Yes
Format: Signed Print
Last Auction: February 2024

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
February 2024
Rago
United States
$7,500
$9,000
$11,000
June 2014
Phillips London
United Kingdom
MyPortfolio
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Track auction value trend

The value of Andy Warhol’s Sex Parts (F. & S. II.174) is estimated to be worth between £5,500 and £8,500. This is a signed screenprint from 1978 and has an auction history of two sales since its entry to the market in June 2014. The current hammer price ranges from £5,500 in June 2014 to £8,500 in April 2019. The average annual growth rate of this work is 4% and the edition size is limited to 30.

Created with Highcharts 11.4.8Jun 2014Jan 2016Sep 2017Apr 2019Nov 2020Jul 2022Feb 2024$6,000$7,000$8,000$9,000$10,000$11,000$12,000© MyArtBroker

Meaning & Analysis

Sex Parts (F. & S. II.174) is part of Warhol’s Sex Parts, a collection of prints which all depict graphic sexual activity. The collection was not Warhol’s first exploration of the nude male form. In an interview, Warhol’s friend and collaborator Vincent Fremont exclaimed that Warhol “always got people to take their clothes off” and produced a series of nudes in the 1950s. These early artworks, however, were never exhibited during Warhol’s lifetime as homosexuality was a criminal offence in the United States. Until 1962, all 50 states criminalised same-sex sexual activity, and Fremont explains that “you couldn’t show certain images” during that time and doing so could risk you getting arrested.

Due to the explicit sexual content of the images, many galleries were afraid of exhibiting the artworks. The Sex Parts collection was arguably more of a personal project for Warhol than a commercial endeavour.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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