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Reigning Queens

Queen Margrethe Of Denmark (F. & S. II.343) Signed Print

Andy Warhol: Queen Margrethe Of Denmark (F. & S. II.343) - Signed Print

Queen Margrethe Of Denmark (F. & S. II.343)

Queen Margrethe Of Denmark (F. & S. II.343) - Signed Print by Andy Warhol 1985 - MyArtBroker

Queen Margrethe Of Denmark (F. & S. II.343)
Signed Print

Andy Warhol

£30,000-£45,000

Value Indicator

$60,000-$90,000 Value Indicator

$50,000-$80,000 Value Indicator

¥280,000-¥420,000 Value Indicator

€35,000-€50,000 Value Indicator

$310,000-$470,000 Value Indicator

¥5,710,000-¥8,560,000 Value Indicator

$40,000-$60,000 Value Indicator

15% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 40

Year: 1985

Size: H 100cm x W 80cm

Signed: Yes

Format: Signed Print

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The value of Andy Warhol’s Queen Margrethe Of Denmark (F. & S. II.343) is estimated to be worth between £30,000 and £45,000. This signed screenprint, created in 1985, has shown consistent value growth, with an impressive average annual growth rate of 15%. This work has an auction history of six total sales since its entry to the market in December 2002. In the past 12 months, the artwork has sold once, achieving a hammer price of £32,276. The edition size of this artwork is limited to 40.

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Auction Results

Auction Date	Auction House	Artwork	Hammer Price	Return to Seller	Buyer Paid
September 2024	Galerie Kornfeld - Germany	Queen Margrethe Of Denmark (F. & S. II.343) - Signed Print
September 2022	Christie's London - United Kingdom	Queen Margrethe Of Denmark (F. & S. II.343) - Signed Print
September 2022	Phillips London - United Kingdom	Queen Margrethe Of Denmark (F. & S. II.343) - Signed Print
September 2019	Christie's London - United Kingdom	Queen Margrethe Of Denmark (F. & S. II.343) - Signed Print
May 2018	Bonhams Los Angeles - United States	Queen Margrethe Of Denmark (F. & S. II.343) - Signed Print
December 2002	Christie's Paris - France	Queen Margrethe Of Denmark (F. & S. II.343) - Signed Print

Meaning & Analysis

Andy Warhol exhibits his enchantment with fame and royalty in his Queen Margrethe Of Denmark (F. & S. II.343) print that forms part of his Reigning Queensseries from 1985. The female monarchs that he depicts would each have been reigning at the time Warhol made the prints. This print shows the traditional state portrait of Queen Margarethe, transformed into a lively Pop Art icon through the use of vivacious colours and flattened form.

Warhol references the art historical genre of the history painting, appropriating the traditional portrait of Queen Margrethe and revitalising her as a glamour icon, now visually consumed by popular kitsch culture. Warhol draws attention to Queen Margarethe’s hair and facial features with freely drawn coloured lines. Her block red dress and pale white face are contrasted against a blue background creating a pleasant colour clash that renders the portrait even more striking.

Playing with the notion that the regal figures that Warhol depicts would have their portraits widely distributed to the masses on stamps, currency and mass-media, the artist uses the screen printing method to replicate this repetition of their image. The Reigning Queen series makes a statement on the way in which mass-produced images are used as symbols of power, as well as the way in which the monarch’s face has become a reproducible commodity.

read more about Reigning Queens

Read more about Andy Warhol Prints & Editions

read more about Reigning Queens

Read more about Andy Warhol Prints & Editions

Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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