Mick Jagger (F. & S. II.140)
Mick Jagger (F. & S. II.140)
Signed Print
Andy Warhol
£70,000-£110,000Value Indicator
$140,000-$230,000 Value Indicator
$130,000-$200,000 Value Indicator
¥670,000-¥1,060,000 Value Indicator
€80,000-€130,000 Value Indicator
$740,000-$1,160,000 Value Indicator
¥13,910,000-¥21,860,000 Value Indicator
$90,000-$150,000 Value Indicator
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110 x 74cm, Edition of 250, Screenprint
Medium: Screenprint
Edition size: 250
Year: 1975
Size: H 110cm x W 74cm
Signed: Yes
Format: Signed Print
Last Auction: March 2025
Value Trend:
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Meaning & Analysis
Andy Warhol’s 1975 screen print Mick Jagger (F. & S. II.140) features the portrait of Rolling Stones lead singer Mick Jagger. Both Jagger and Warhol signed this 1975 screen print, which came in an edition of 250 and includes 9 accompanying images from the series Mick Jagger.
To create this screen print, Warhol manipulated a polaroid photograph of Jagger, leaving only limited shading and his hair. The Pop artist then overlayed collaged blocks of colour and outlining to fill in the rest of Jagger’s details. Both Warhol and Jagger have signed the bottom of the print, emphasising the collaboration between the two. These signatures, and Jagger’s recognisability, make this image from an edition of 250 and its larger series Mick Jagger one of Warhol’s most valuable.
Warhol and Jagger first met at a party in 1963 and subsequently collaborated on several projects. Warhol designed the cover for the Rolling Stones’ album Sticky Fingers which featured a real zipper on a pair of Levi jeans. The polaroid photographs for the series Mick Jagger were shot while Bianca and Mick Jagger stayed at Warhol’s Long Island residence in the Summer of 1975. The pair remained friends until Warhol’s untimely death in 1987.
Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.
