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Kimiko (F. & S II. 237) - Signed Print by Andy Warhol 1981 - MyArtBroker

Kimiko (F. & S II. 237)
Signed Print

Andy Warhol

£17,000-£25,000Value Indicator

$35,000-$50,000 Value Indicator

$30,000-$45,000 Value Indicator

¥170,000-¥240,000 Value Indicator

€20,000-€29,000 Value Indicator

$180,000-$270,000 Value Indicator

¥3,380,000-¥4,970,000 Value Indicator

$23,000-$35,000 Value Indicator

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91 x 91cm, Edition of 250, Screenprint

Medium: Screenprint

Edition size: 250

Year: 1981

Size: H 91cm x W 91cm

Signed: Yes

Format: Signed Print

Last Auction: April 2023

Value Trend:

3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2023
Bukowskis, Online
Sweden
£17,159
£20,187
£20,187
October 2020
Sotheby's New York
United States
September 2020
Phillips London
United Kingdom
June 2020
Capitolium Art
Italy
April 2019
Sotheby's Hong Kong
Hong Kong
October 2017
Bonhams Los Angeles
United States
April 2017
Christie's New York
United States
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Track auction value trend

The value of Andy Warhol's Kimiko (F. & S II. 237) is estimated to be worth between £17,000 and £25,000. This signed screenprint, created in 1981, has shown consistent value growth, with an average annual growth rate of 3%. This work has an impressive auction history, having been sold 21 times at auction since its initial sale on 28th April 1998. In the past 12 months, the hammer price has ranged from £15,279 in October 2020 to £20,187 in April 2023. The edition size of this artwork is limited to 250.

Created with Highcharts 11.4.8Apr 2017Apr 2018Apr 2019Apr 2020Apr 2021Apr 2022Apr 2023£10,000£12,000£14,000£16,000£18,000£20,000£22,000© MyArtBroker

Meaning & Analysis

Commissioned by John and Kimiko Powers to make the portrait, Kimiko (F. & S. II.237) is part of an edition of 250 prints that were published to raise funds for a visual arts programme at Colorado State University, sponsoring artists and exhibitions. The original commission was completed in 1972 and was used to advertise Warhol’s show at the University.

Warhol took polaroid of Kimiko in her apartment to create the portrait, asking her to then choose which she liked the best. Showing her dressed in a traditional kimono with her hair elegantly styled in a classic Japanese style, Warhol removes her from her surrounding context to transform her image into a Pop Art icon. Looking up to the viewer, she is cast into a colour field of sky blue that seeps into her clothing and lips. Her faced is rendered in a bright pink to contrast with the pop of blue in her lips, reminiscent of earlier portraits of Marilyn Monroe and Elizabeth Taylor.

Commissions such as these were in high demand due to Warhol’s world-wide reputation for making iconic Pop Art portraits of celebrities. John and Kimiko Powers had a large collection of Pop Art and this print is exemplary of Warhol’s belief that everybody deserves their moment of fame. “repetition adds up to reputation” reflecting both the power of the mass media and Warhol’s willingness to self-publicise.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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