Grevy's Zebra (F. & S. II.300)
Grevy's Zebra (F. & S. II.300)
Signed Print
Andy Warhol
£80,000-£110,000Value Indicator
$170,000-$230,000 Value Indicator
$150,000-$200,000 Value Indicator
¥780,000-¥1,080,000 Value Indicator
€90,000-€130,000 Value Indicator
$860,000-$1,180,000 Value Indicator
¥15,780,000-¥21,700,000 Value Indicator
$110,000-$150,000 Value Indicator
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
97 x 97cm, Edition of 150, Screenprint
Medium: Screenprint
Edition size: 150
Year: 1983
Size: H 97cm x W 97cm
Signed: Yes
Format: Signed Print
Last Auction: March 2023
Value Trend:
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
TradingFloor
Auction Results
Track auction value trend
Meaning & Analysis
Printed in 1983, Grevy’s Zebra (F. & S. II.300) is a signed screen print in colour on Lenox Museum Board by Andy Warhol. The print depicts a Grevy’s Zebra, an endangered species native to Eastern Africa. Grevy’s Zebras have come under threat due to hunting and the loss of their natural habitat. The Zebra is rendered in unexpected bright and vibrant colours, characteristic of Warhol’s Pop Art aesthetic. The Zebra’s black and white stripes are reinvigorated through Warhol’s vibrant use of yellow, red and blue gestural lines and coloured layering, animating the Zebra, making it stand out against the blue backdrop.
Grevy’s Zebra (F. & S. II.300) is part of the Endangered Species series, commissioned in 1983 by New York gallerists and environmental activists, Ronald and Frayda Feldman. This series is composed of 10 prints, each depicting a different endangered species. The aim of the series is to raise awareness about the threat animals are facing due to climate change, pollution, deforestation and hunting. The series captures Warhol’s interest in nature, indeed, many of his other prints such as the Flowers and Cow series take wildlife and animals as their inspiration.
The print was made using Warhol’s signature screen printing technique. As an artist, Warhol knew how to transform everyday subjects like Campbell’s Soup into works of fine art through his ingenious use of colour and Pop Art aesthetic. This occurs in Grevy’s Zebra (F. & S. II.300) as the Zebra is animated through luminous colour and dynamic lines.
Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.
