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Electric Chair (F. & S. II.79) - Signed Print by Andy Warhol 1971 - MyArtBroker

Electric Chair (F. & S. II.79)
Signed Print

Andy Warhol

£6,500-£10,000Value Indicator

$13,500-$21,000 Value Indicator

$12,000-$19,000 Value Indicator

¥60,000-¥100,000 Value Indicator

€7,500-€11,500 Value Indicator

$70,000-$110,000 Value Indicator

¥1,290,000-¥1,990,000 Value Indicator

$9,000-$13,500 Value Indicator

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90 x 122cm, Edition of 250, Screenprint

Medium: Screenprint

Edition size: 250

Year: 1971

Size: H 90cm x W 122cm

Signed: Yes

Format: Signed Print

Last Auction: June 2025

Value Trend:

9% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2025
Dorotheum, Vienna
Austria
N/A
N/A
N/A
May 2025
Capitolium Art
Italy
October 2024
Sotheby's New York
United States
July 2022
Christie's London
United Kingdom
March 2021
Forum Auctions London
United Kingdom
January 2021
Phillips London
United Kingdom
November 2020
Swann Galleries
United States
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Track auction value trend

The value of Andy Warhol’s Electric Chair (F. & S. II.79) (signed) is estimated to be worth between £6,500 and £10,000. This screenprint has shown consistent value growth, with an average annual growth rate of 9%. Over the past 12 months, the average selling price was £6,064, with a total of 3 sales. In the last five years, the hammer price has ranged from £4,740 in May 2025 to £10,000 in January 2021. This work has a strong auction history, having been sold 22 times since its initial sale in February 2002. The edition size of this artwork is limited to 250.

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Meaning & Analysis

This print is a striking departure from the original Electric Chair painting that featured in the 1964 Death and Disaster series. The vibrant colours used in the negative renditions of the image create a dramatic juxtaposition to the grave and empty image that lies beneath. Warhol hints at the political with the print by using colours that are hard to ignore, such as the heavily contrasted, dark brown and blue tones on this print that make the original image almost unrecognizable, thus unsettling and forcing the viewer to confront this haunting image of death head on.

Warhol makes the point that these images are so often ignored in newspapers, and so here he transforms the media photograph into a work of fine art to be thoughtfully considered in the gallery setting. The representational, grainy texture juxtaposed with the abstract strokes of colour produce a ghostly contour and pulsating visual effect, bringing viewers to the moment of electrocution.

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