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Apple (F. & S. II.359) - Signed Print by Andy Warhol 1985 - MyArtBroker

Apple (F. & S. II.359)
Signed Print

Andy Warhol

£120,000-£180,000Value Indicator

$250,000-$370,000 Value Indicator

$220,000-$330,000 Value Indicator

¥1,170,000-¥1,760,000 Value Indicator

€140,000-€210,000 Value Indicator

$1,290,000-$1,930,000 Value Indicator

¥23,670,000-¥35,500,000 Value Indicator

$160,000-$250,000 Value Indicator

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96 x 96cm, Edition of 190, Screenprint

Medium: Screenprint

Edition size: 190

Year: 1985

Size: H 96cm x W 96cm

Signed: Yes

Format: Signed Print

Last Auction: October 2023

Value Trend:

10% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2023
Heritage Auctions, New York
United States
N/A
N/A
N/A
October 2019
Christie's New York
United States
June 2019
Koller Zurich
Switzerland
November 2018
Artcurial
France
December 2017
Bonhams New York
United States
November 2016
Christie's New York
United States
April 2015
Christie's New York
United States
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Track auction value trend

The value of Andy Warhol’s Apple (F. & S. II.359) is estimated to be worth between £120,000 and £180,000. This signed screenprint, created in 1985, has shown consistent value growth, with an average annual growth rate of 9%. This work has an auction history of 15 total sales since its entry to the market in July 2002. In the past five years, the hammer price has ranged from £112,236 in December 2016 to £180,000 in October 2022. The edition size of this artwork is limited to 190.

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Meaning & Analysis

Apple (F. & S. II.359) is part of the highly collectible Ads series, produced by Warhol in 1985, two years before his death. The inspiration for this series can be traced back to Warhol’s early career as a commercial illustrator in New York in the 1950s. Known as the father of Pop Art, Andy Warhol was an icon of the 20th century and his name is considered synonymous with mass consumerism, a theme that runs through the Ads series and is clearly evident in this print.

The vivid colours in this print reflect Warhol’s celebration of American consumer culture and his transformation of the everyday into art, which led to a blurring of the boundaries between high and low culture. Indeed, this print is emblematic of how Warhol turned mass media imagery into art. The bold colour in this print, achieved by multiple screens and a layering of paint, is accompanied by gestural lines, delineating the Apple logo. This looser style marks an evolution in Warhol’s work away from the mechanical precision of Warhol’s earlier works, such as the Campbell’s Soup series.

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