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Mao (F. & S. II.91) Signed Print

Andy Warhol: Mao (F. & S. II.91) - Signed Print

Mao (F. & S. II.91)

Mao (F. & S. II.91) - Signed Print by Andy Warhol 1972 - MyArtBroker

Mao (F. & S. II.91)
Signed Print

Andy Warhol

£29,000-£45,000

$60,000-$90,000 Value Indicator

$50,000-$80,000 Value Indicator

¥270,000-¥420,000 Value Indicator

€35,000-€50,000 Value Indicator

$290,000-$450,000 Value Indicator

¥5,790,000-¥8,980,000 Value Indicator

$40,000-$60,000 Value Indicator

-2% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 250

Year: 1972

Size: H 92cm x W 92cm

Signed: Yes

Format: Signed Print

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2 want this

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Track auction value trend

The value of Andy Warhol’s Mao (F. & S. II.91) (signed) is estimated to be worth between £30,000 and £45,000. This screenprint has shown consistent value growth, with an auction history of 27 total sales since its entry to the market in November 1998. In the last 12 months, the average selling price was £30,088, across 3 total sales. Over the past five years, the hammer price has varied from £23,096 in October 2023 to £43,763 in September 2022. The average annual growth rate for this artwork is -2%. The edition size of this artwork is limited to 250.

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Auction Results

Auction Date	Auction House	Artwork	Hammer Price	Return to Seller	Buyer Paid
September 2024	Phillips London - United Kingdom	Mao (F. & S. II.91) - Signed Print
December 2023	Sotheby's New York - United States	Mao (F. & S. II.91) - Signed Print
October 2023	Christie's New York - United States	Mao (F. & S. II.91) - Signed Print
October 2022	Phillips New York - United States	Mao (F. & S. II.91) - Signed Print
September 2022	A.N. Abell Auction Company - United States	Mao (F. & S. II.91) - Signed Print
March 2022	Im Kinsky - Germany	Mao (F. & S. II.91) - Signed Print
July 2019	Christie's New York - United States	Mao (F. & S. II.91) - Signed Print

Meaning & Analysis

Taken from his renowned Mao series from 1972, Mao (F. & S. II.91) is a print by Andy Warhol that features a striking portrait of the Chinese communist leader Chairman Mao Zedong. The print contrasts light blue hues in Mao’s face and yellow tunic against a baby pink background. The colours seep into his eyes and Warhol has deliberately created imperfections with the ink.

Warhol’s use of colour in Mao (F. & S. II.91) works within the aesthetic of Western kitsch and alludes to the appearance of makeup on Mao’s face. Baby pink is added to enhance the lips of the statesman and his darkly coloured mole is reminiscent of Marylin Monroe’s beauty mark. In the suggestion of makeup and use of fluorescent colours, Warhol makes a statement on the false veneer that the original propaganda image attempts to portray and at the same time revitalises Chairman Mao as an unlikely Pop icon to be distributed as an image in the mass-media.

Relying on his typical method of screen printing with the aim of mass-production, Warhol reflects the wide distribution of Mao’s image in communist China whilst also comparing this to the obsessive production of mass-media images in capitalist America. The result is a humorous social commentary on these opposing systems of power during the political tensions of the Cold War.

read more about Mao

Read more about Andy Warhol Prints & Editions

read more about Mao

Read more about Andy Warhol Prints & Editions

Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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