Flowers (F. & S. II.111)
Flowers (F. & S. II.111)
Signed Print
Andy Warhol
£8,000-£11,500Value Indicator
$17,000-$24,000 Value Indicator
$15,000-$21,000 Value Indicator
¥80,000-¥110,000 Value Indicator
€9,500-€13,500 Value Indicator
$90,000-$120,000 Value Indicator
¥1,590,000-¥2,290,000 Value Indicator
$11,000-$16,000 Value Indicator
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
104 x 70cm, Edition of 250, Screenprint
Medium: Screenprint
Edition size: 250
Year: 1974
Size: H 104cm x W 70cm
Signed: Yes
Format: Signed Print
Last Auction: January 2025
Value Trend:
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
Auction Results
Track auction value trend
Meaning & Analysis
Flowers (F. S. II.111), part of the Flowers (Hand-Coloured) series (1974), is one of Andy Warhol’s more atypical prints. Reminiscent of 19th century Japanese woodblock prints, this print shows a delicately rendered flower leaning over a couple of books. The stems are coloured with subdued shades of pink with a hint of yellow on one of the buds, set against a simple cream background. As with many of Warhol’s prints, form, colour and composition are flattened and simplified, but what makes this print notable is its organic and gestural use of fine lines.
Warhol consciously maintains a hand-drawn quality in the Flowers (Hand-Coloured) series that alludes to the artist’s personal touch, producing a more contemplative image that transcends the ‘machine-like’ aesthetic. His earlier Flower series’ from 1964 and 1970 are unmistakably Pop in their brilliant, synthetic hues and erasure of the artist’s touch, however this later series is more illustrative in style, similar to the work of David Hockney and Alex Katz.
For the Flowers (Hand-Coloured) series, Warhol abandoned his photographic print technique to instead focus on line and composition. Using wallpaper samples and the book Interpretative Flower Designs by Mrs Raymond Rus Stolz as his source material, Warhol used an opaque projector to copy from these images and create the delicately rendered image. Every print in the series is unique in that they were each coloured by a studio assistant with Dr. Martin’s aniline watercolour dyes. Flowers (F. & S. II.111) amalgamates the hand-drawn with the mass-produced, and originality with appropriation, in his use of the screen printing technique, hand-dying and the copied image through organically drawn line.
Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.
