Cow (F. & S. II.12A)
Cow (F. & S. II.12A)
Signed Print
Andy Warhol
£12,000-£18,000Value Indicator
$25,000-$35,000 Value Indicator
$22,000-$35,000 Value Indicator
¥120,000-¥170,000 Value Indicator
€14,000-€21,000 Value Indicator
$130,000-$190,000 Value Indicator
¥2,370,000-¥3,560,000 Value Indicator
$16,000-$24,000 Value Indicator
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116 x 76cm, Edition of 100, Screenprint
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Meaning & Analysis
Encouraged by the Pop art dealer Ivan Karp to consider the subject, Cow 1976 (F. & S. II. 12A) is the final print from Andy Warhol’s renowned Cow series (1966-76). The screen print shows a photographic image of a cows’ head coloured in baby pink and set against a vivid purple backdrop. Warhol was highly experimental in his graphic explorations and the varied colour combinations across this series are exemplary of his unrivalled skill.
Karp’s suggestion of the subject came about because the art dealer considered it to be a durable image from the history of art that specifically referenced the traditional genre of pastoral landscape painting. Warhol took this suggestion and subverted it drastically by turning the seemingly timeless subject into a piece of fashion kitsch.
As an extension of the Cow series, that Warhol began in 1966, the artist decided to create a wallpaper out of the iconic image. The effect was playful and chaotic, disrupting the timelessness of the pastoral subject by transforming it into a mass-produced salable commodity. Cows are a common subject of genre painting that many people choose to display in their homes and with this print Warhol makes the point blatantly clear that fine art has been treated like wallpaper long before he literally did this with his own art.
Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.