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Campbell's Soup I, Onion (F. & S. II.47) - Signed Print by Andy Warhol 1968 - MyArtBroker

Campbell's Soup I, Onion (F. & S. II.47)
Signed Print

Andy Warhol

£29,000-£45,000Value Indicator

$60,000-$90,000 Value Indicator

$50,000-$80,000 Value Indicator

¥280,000-¥440,000 Value Indicator

35,000-50,000 Value Indicator

$310,000-$480,000 Value Indicator

¥5,620,000-¥8,730,000 Value Indicator

$40,000-$60,000 Value Indicator

17% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 250

Year: 1968

Size: H 89cm x W 58cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Andy Warhol's Campbell's Soup I, Onion (F. & S. II.47) is estimated to be worth between £29,000 and £45,000. This signed screenprint from 1968 has shown consistent value growth, with an average annual growth rate of 15%. This work has an auction history of 14 total sales since its entry to the market on 13th December 1999. In the last 12 months, the hammer price has ranged from £25,858 in September 2021 to £37,119 in October 2023. The average return to the seller over the past five years has been £26,765. The edition size of this artwork is limited to 250.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
October 2023Christie's New York United States
September 2021Bonhams Los Angeles United States
March 2020Christie's New York United States
February 2020Rago United States
April 2019Sotheby's New York United States
October 2018Phillips New York United States
January 2018Phillips London United Kingdom

Meaning & Analysis

The Campbell’s Soup Cans paintings were first shown together in uniform rows, displayed as though they were products on the supermarket shelf. Each work represents every flavour of soup sold by Campbell’s Soup and the image itself precisely mimics the red and white labels of the brand. This print corresponds with the onion flavour sold by the brand and shows a gold circular logo in the middle.

This series was one of the first portfolios to be published through Factory Additions, New York, a company the artist created to produce and distribute his prints. The prints were created by the machine-like screen print process, erasing the artist’s touch altogether and producing a precisely rendered image that exactly mimics the design of the soup can. Elevated to the realm of fine art and presenting these consumer products as objects for observation, Warhol poses a challenge to the value of art and the way art is consumed.

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