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S. & H. Green Stamps (F. & S. II.9) - Unsigned Print by Andy Warhol 1965 - MyArtBroker

S. & H. Green Stamps (F. & S. II.9)
Unsigned Print

Andy Warhol

£4,050-£6,000Value Indicator

$8,500-$12,500 Value Indicator

$7,500-$11,000 Value Indicator

¥40,000-¥60,000 Value Indicator

4,700-7,000 Value Indicator

$45,000-$60,000 Value Indicator

¥810,000-¥1,190,000 Value Indicator

$5,500-$8,000 Value Indicator

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58 x 57cm, Edition of 300, Lithograph

Medium: Lithograph
Edition size: 300
Year: 1965
Size: H 58cm x W 57cm
Signed: No
Format: Unsigned Print
Last Auction: June 2025
Value Trend:
14% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2025
Phillips London
United Kingdom
$5,500
$6,500
$8,500
May 2025
Lama
United States
May 2025
Doyle Auctioneers & Appraisers
United States
January 2025
Phillips London
United Kingdom
October 2024
Bonhams Los Angeles
United States
September 2023
Sotheby's London
United Kingdom
October 2022
Phillips New York
United States
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Track auction value trend

The value of Andy Warhol’s S. & H. Green Stamps (F. & S. II.9) is estimated to be worth between £4,050 and £6,000. In the last 12 months, the artwork has sold 5 times with an average selling price of £3,033. Over the past five years, the hammer price has varied from £1,506 in May 2025 to £4,800 in June 2025. This lithograph print from 1965 has shown consistent value growth, with an impressive average annual growth rate of 14%. This work has a strong auction history, having been sold 17 times at auction since its initial sale in November 1998. The edition size of this artwork is limited to 300.

Created with Highcharts 11.4.8Oct 2022Mar 2023Sep 2023Feb 2024Jul 2024Jan 2025Jun 2025$4,000$5,000$6,000$7,000$8,000$9,000© MyArtBroker

Meaning & Analysis

In this print, Warhol deliberately subverts the all-over compositions of Jackson Pollock and other Abstract Expressionists with the lack of focal point in the print, mocking the grandeur of these artist’s work by using a banal and repetitive motif. The resulting effect is an electric picture of plane of stamps pulsating in red and green, each a picture within a picture.

Warhol’s choice of subject matter, trading stamps consumers save to purchase mass-produced commodities, a fake money of sorts, is significant to the point he is making on the superficiality of the capitalist American consumer market. Enlarged onto the scale of fine art, Warhol uses his innovative stamp technique to create two-dimensional representations of the commercial stamp object. The result produces a deliberate ambiguity between art and life,and reality and representation.