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Fellatio - Unsigned Print by Andy Warhol 1978 - MyArtBroker

Fellatio
Unsigned Print

Andy Warhol

£5,500-£8,000Value Indicator

$11,500-$16,000 Value Indicator

$10,000-$14,500 Value Indicator

¥50,000-¥80,000 Value Indicator

6,500-9,000 Value Indicator

$60,000-$80,000 Value Indicator

¥1,090,000-¥1,590,000 Value Indicator

$7,500-$11,000 Value Indicator

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80 x 60cm, Edition of 30, Screenprint

Medium: Screenprint
Edition size: 30
Year: 1978
Size: H 80cm x W 60cm
Signed: No
Format: Unsigned Print
Last Auction: March 2023
Value Trend:
-2% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

TradingFloor

2 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2023
Sotheby's Online
United Kingdom
£6,909
£8,128
£10,160
October 2019
Sotheby's New York
United States
October 2019
Phillips New York
United States
April 2004
Christie's New York
United States
February 2002
Christie's New York
United States
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Track auction value trend

The value of Andy Warhol's Fellatio (1978) is estimated to be worth between £5,500 and £8,000. This unsigned screenprint has shown consistent value growth, with an average annual growth rate of 1%. This work has an auction history of five total sales since its entry to the market in February 2002. The hammer price for this artwork has been consistent over the past five years. The edition size of this piece is limited to 30.

Created with Highcharts 11.4.8Feb 2002Aug 2005Feb 2009Aug 2012Mar 2016Sep 2019Mar 2023£5,000£6,000£7,000£8,000£9,000£10,000£11,000© MyArtBroker

Meaning & Analysis

The print can be seen alongside Warhol’s collection of screen prints, Sex Parts, which the artist produced in 1978. In this collection, Warhol produces graphic images in black and white of the male genitalia in a sketch-like style.

Warhol was known for producing controversial pieces of art and Fellatio is one of Warhol’s more explicit pieces that captures the artist's desire to explore taboo subjects in his artworks. In 1964, Warhol directed and produced a silent film called Blow Job in which he filmed DeVeren Bookwalter receiving a blow job. Shown at 24 frames per second, Warhol demanded that it be projected at 16 frames per second which slowed the film down by a third and drew attention to the sexual act being caught on camera. The short film differs from this print as it only captures Bookwalter’s facial expression and does not show the second person involved in the act.