Leah Mentzis, Partnerships Managerleah@myartbroker.com
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Willem de Kooning?
Willem de Kooning
11 works
Willem de Kooning's prints have demonstrated significant market strength, with individual works typically fetching between £5,000 and £50,000, depending on rarity and condition. His most sought-after lithographs, such as those from his Quatre Lithographies series, can command even higher prices, with the record being held by Litho #2 (Waves #2) (1960), at over £350,000. Appraisal of de Kooning's prints requires examination of any wear and tear, the printing technique used, and provenance, with reference to records from collaborating print studios and galleries. Strategic timing, such as selling during major retrospectives or when interest in Abstract Expressionism surges, can optimise returns.
Willem de Kooning was a Dutch-American artist and a revolutionary in the field of abstract painting. His work had a significant influence on the development of Abstract Expressionism. His prints, much like his paintings, are characterised by their dynamic gestural marks, bold use of colour, and a tension between abstraction and representation. This guide aims to navigate the market for de Kooning's prints, offering insights into valuation, authentication, and selling strategies for those looking to part with their pieces.
De Kooning's approach to printmaking was as innovative and experimental as his painting practice. He only ever created one aquatint, Revenge (1960), which was also the first print he made. He began exploring lithography shortly after, producing works that translated his energetic brushstrokes and complex compositions into print form. His prints often feature the same themes as his paintings, including abstract landscapes, fragmented figures, and his iconic Woman series.
Throughout his career, de Kooning collaborated with several renowned print studios and publishing houses, including Hirschl & Adler Galleries and the Hollander Workshop in New York. These partnerships resulted in some of his most coveted print series, including The Preacher (1971) lithograph and Valentine (1971).
The market for Willem de Kooning's prints reflects his status as one of the most influential artists of the 20th century. Prices for his prints have remained steady in recent years, and vary based on factors such as rarity, condition, and the specific series to which a print belongs. Typically, individual prints by de Kooning fetch between £5,000 and £50,000, though prints have been known to sell for over six times this value.
The record price achieved by a de Kooning print at auction was set in March 2024: £355,572 for Litho #2 (Waves #2) (1960). The popularity of this piece comes from its expressive monochromatic brushstrokes, its status as a classic example of de Kooning’s earlier work and his collaboration with Irwin Hollander, and the fact that it is limited to an edition of only nine. Similarly, the second-highest price achieved by a de Kooning print at auction is held by Litho #1 (Waves #1) (1960).
An incredibly popular series by de Kooning is his Quatre Lithographies from 1986, which often sell for £20,000 to £30,000 per print. These later works, created when de Kooning was in his 80s, are prized for their simplified forms and bold use of colour, reflecting the artist's late style. Complete sets of Quatre Lithographies have sold for over £100,000, with a record of £153,440 set in April 2019.
Other popular prints include Wah Kee Spare Ribs (1971), which sold for £72,274 in April 2023, and Figures in Landscape VI (1980), which sold for £18,140 in October 2023. Owners of Valentine (1970) prints, The Man And The Big Blonde (1982), and Landscape At Stanton Street (1971) can expect to sell their prints for between £10,000 and £15,000.
Authenticating a Willem de Kooning print begins with establishing its provenance and tracing its history of ownership and exhibition. Any documentation, such as certificates of authenticity, gallery receipts, stamps from print studios, or correspondence with the artist's estate or foundation, can be invaluable in establishing legitimacy.
Technical analysis is crucial in the authentication process. This involves examining the paper quality, ink composition, and printing technique. The printing process, whether lithography, etching, or another method, should be consistent with de Kooning's known practices for the period in which the print was produced. In the 1960s, for example, while printing at the University of California, de Kooning created his lithographs using lithographic stones that were almost four feet high. De Kooning was also known to layer ink and scrape the surface of his prints, which will leave traces that can be identified by experts in de Kooning’s work.
There is no single comprehensive catalogue raisonné for de Kooning's prints as his body of work is still an area of active scholarship, but several important resources exist. The Willem de Kooning Foundation maintains extensive records and can be consulted for authentication inquiries. Additionally, catalogues from major retrospectives, such as the Museum of Modern Art's 2011-2012 retrospective, provide valuable reference material.
De Kooning's approach to signing and numbering his prints evolved over time. In his earlier prints, he often signed and dated in pencil on the front of the sheet, typically in the lower right corner - this would appear as “De Kooning ‘60,” for example. Later prints may be signed on the reverse. His signature is generally clear and distinctive, though it can vary slightly over the years.
Edition sizes for de Kooning's prints varied widely. Some of his most famous series, like the Quatre Lithographies, were produced in editions of 50, while other works were made in smaller numbers.
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The condition of a De Kooning print is a critical factor in determining its value and desirability in the market. When assessing the condition of your de Kooning print, you should begin by examining the paper for any signs of damage or ageing. Look for discolouration, foxing, or acid burn, particularly around the edges. De Kooning used high-quality, acid-free papers for his prints, but improper storage or exposure to environmental factors can still lead to deterioration over time.
Check for any surface imperfections such as scratches, scuffs, or abrasions. These can be particularly noticeable in areas of solid colour or in the delicate, organic lines that characterise many of De Kooning's prints. Examine the print under raking light to detect any such issues, as well as any undulations in the paper that might indicate past water damage or improper storage.
Proper storage and display are essential for maintaining a De Kooning print in good condition. Ideally, prints should be kept in acid-free environments, away from direct sunlight and fluctuating humidity. If framed, UV-protective glass and acid-free matting are recommended to prevent light damage and acid migration.
For a thorough assessment, consider consulting a paper conservator specialising in modern prints. They can provide a detailed condition report and advise on any necessary conservation measures. Remember that while minor imperfections might be acceptable given the age of some prints, significant damage or alterations can substantially decrease value. for advice on how to get started with condition assessment of your Willem de Kooning print, contact MyArtBroker.
Timing the sale of a Willem De Kooning print requires careful consideration of market trends, cultural events, and ongoing scholarship related to the artist's work. De Kooning's market has shown steady strength over the decades, but there are certain periods when interest and values may peak.
Major exhibitions or retrospectives of De Kooning's work often generate increased interest and media coverage, potentially driving up demand and prices for his prints. For example, the record price achieved by litho #2 (waves #2) (1960), coincided with De Kooning’s sculptural display at the 60th international Art Biennale in Venice. The comprehensive retrospective at the museum of modern art in New York in 2011-2012 had a similar effect.
Anniversary years related to significant moments in De Kooning's career can also create opportune selling moments. For instance, the 25th anniversary of his death in 2022 was followed by more than eight print sales of over £80,000.
Surges of interest in abstract expressionism or post-war American art can suggest high demand on the print market, as can the release of new scholarly resources, such as finalised catalogues raisonnés or major biographies.
We recommend monitoring the sales results and market reports of major auction houses and galleries, as they can provide the most up-to-date insights into which series or periods of De Kooning's work are currently in highest demand. For instance, if there's a surge of interest in De Kooning's late works, it might be an opportune time to sell prints from the 1980s.
MyArtBroker offers advanced art tech tools to help you determine the optimal time to sell. Our MyPortfolio service features an ai-powered value indicator that provides real-time valuations of individual prints based on both public and private sales data. Combined with our complimentary valuations, we can help ensure your print achieves maximum value by selling at the perfect moment.
Art brokers specialising in post-war American prints offer a more discreet and personalised alternative. These experts often maintain extensive networks of private collectors, galleries, and institutions interested in abstract expressionist prints. Brokers can provide valuable insights into current market trends, helping to set realistic price expectations. They may also offer guidance on strategic timing, such as aligning a sale with a major De Kooning exhibition. The one-on-one nature of their service allows for a more flexible sales process. Broker fees generally fall between 10% and 15% of the sale price. While this method may not generate the same exposure as an auction, it can lead to more targeted connections with serious De Kooning enthusiasts.
Renowned auction houses like Bonhams, Phillips, and Christie’s frequently showcase Willem De Kooning's prints. These establishments offer a global stage, connecting sellers with an international audience. The dynamic nature of auctions can lead to unexpected price surges, especially for rarer prints or those with compelling stories. Auction houses employ specialists who meticulously research each work, often uncovering new details about provenance or artistic significance. pre-sale exhibitions and catalogues provide valuable exposure, potentially attracting new buyers. However, commission structures can be complex, with fees often reaching 25% or more. If a print fails to sell, it becomes "burned," potentially affecting its future marketability. Consignors have limited input on timing or presentation, as prints are typically grouped into themed sales scheduled months in advance. For rare or sought-after De Kooning prints, the auction process can yield impressive results. But it's essential to thoroughly review consignment agreements before committing.
To learn more, read our guide to auction v private sale in the art market.
Online platforms offer global reach without the overhead of traditional galleries or auction houses. These marketplaces allow for detailed presentations of De Kooning prints, including high-resolution images and provenance information. The 24/7 nature of online sales can accelerate the process. However, without in-person viewing, it can be difficult for buyers to fully appreciate the quality and authenticity of the print, jeopardising buyer-seller trust and driving down final prices. There's also increased competition, as your print may be listed alongside numerous other works. Consider platforms that specialise in fine art prints or those with dedicated sections for post-war american artists. look for marketplaces that offer robust authentication processes and secure payment systems.
MyArtBroker offers a distinctive service connecting clients with their dedicated personal broker, ensuring a secure transaction through our online digital platform. Our specialists excel at sourcing direct buyers for consigned prints via our live trading floor, where users within our extensive network can express interest in specific prints and multiples by particular artists, whether they intend to sell, buy, or simply enquire about a specific print. Our team is approachable, passionate, and consistently provides updates on the art market and artists. We guide sellers through a seamless transaction process, establishing a fair market valuation based on realistic sale prices and offering free advice on the optimal timing for selling, leveraging our extensive knowledge of the art market.
At MyArtBroker, we prioritise transparency and security in every art sale. Our stringent due diligence process ensures the authentication and verification of artwork provenance, drawing upon our in-house expertise and collaborating with professional external contacts when needed. This approach effectively mitigates the risk of trading counterfeit or stolen art pieces. Additionally, we minimise the risks associated with public sales. While public auctions may seem appealing, unsold prints can harm an artist's market. Private sales eliminate this risk and enable quicker liquidity release for your artwork compared to adhering to strict auction schedules dictating when your work can be offered for sale.
Our team of specialists offers tailored services to procure rare and special edition prints, catering to both seasoned collectors and newcomers to the market. As part of our standard practice, we provide complimentary valuations and charge zero seller's fees, setting us apart from other private brokers and traditional auction houses. By minimising overhead costs, we allocate resources towards digital innovation and targeted marketing strategies within our network and house magazine.
When it comes to selling artwork, achieving the best price hinges on accessing a niche market with an established collector community. If you're looking to sell a print, turning to a specialist in the print market, like MyArtBroker, yields superior results compared to approaching an auction house, which caters to broader categories of artwork.
Through our live trading floor we empower our network of collectors, fundamentally reshaping the art investment and trading landscape in the digital era. Offering real time market data and insights gleaned from worldwide collectors, we establish value based on convenience, accessibility, and the exceptional level of transparency and security provided to over tens of thousands of users.
In addition to our live trading floor, MyArtBroker's MyPortfolio serves as a collection management system, empowering collectors to curate and oversee their prints and editions collection. This feature grants users access to our print market database, uniquely tied to our proprietary algorithm, singularityx. This algorithm scans and analyses both public auction and private sales data to determine real time valuations of individual print works, factoring in various aspects such as condition, colour, and other factors affecting value.
Read what powers MyArtBroker's technology? In conversation with Stuart Jamieson, financial quant to learn more about our algorithm.