£5,000-£8,000
$10,000-$16,000 Value Indicator
$9,000-$14,500 Value Indicator
¥45,000-¥70,000 Value Indicator
€6,000-€9,500 Value Indicator
$50,000-$80,000 Value Indicator
¥980,000-¥1,560,000 Value Indicator
$6,500-$10,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Etching
Edition size: 32
Year: 1980
Size: H 27cm x W 23cm
Signed: Yes
Format: Signed Print
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Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
January 2024 | Lama | United States | |||
March 2023 | Sotheby's New York | United States | |||
November 2022 | Wright | United States | |||
March 2022 | Phillips New York | United States | |||
February 2021 | Wright | United States | |||
October 2019 | Phillips New York | United States | |||
May 2019 | Bonhams New York | United States |
Roy Lichtenstein’s Figure With Teepee is a intaglio etching which was produced in 1980 in a limited edition of 32, and executed as part of the American Indian series. Lichtenstein’s experimentation with the graphic nature of Native American heritage spans two main periods of his career. His 1950s exploration applies a cubist approach, while his 1980s studies employ his signature pop style.
Lichtenstein’s iconic comic strip paintings have become synonymous with the Pop Art movement of the 1960s. Famous for experimenting with a broad range of styles and themes, Lichtenstein’s engagement with American Indian art spans two main periods of his career. His pre-pop oeuvre of the 1950s employs a cubist style to revise cliched images romanticising Native American heritage. The artist’s subsequent 1980s American Indian series treats indigenous art and design more in line with his signature pop approach.
Figure With Teepee employs a particular etching technique referred to as intaglio. According to this printing method, the image has first been carefully engraved onto a metallic surface. The refined incisions were then rubbed with ink, as the excess was wiped off. Soft paper was later pressed against the surface with a roller press.
The resulting imprint shows a black and white faux-wood totem decorated with red threads. The red and white fletching of two arrows is sticking out of the sculpture’s head. The corner of a cream coloured teepee pokes into view, situated on the right-hand side of the composition. The work reshuffles appropriated Native American artefacts. Lichtenstein reworks the forms and objects into flat planes and geometric shapes, presenting a compact canvas with a minimalist presence.