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Girl In Mirror - Signed Ceramic by Roy Lichtenstein 1964 - MyArtBroker

Girl In Mirror
Signed Ceramic

Roy Lichtenstein

£3,860,000-£5,780,000Value Indicator

$8,030,000-$12,020,000 Value Indicator

$7,180,000-$10,750,000 Value Indicator

¥37,650,000-¥56,370,000 Value Indicator

€4,480,000-€6,710,000 Value Indicator

$41,160,000-$61,630,000 Value Indicator

¥768,310,000-¥1,150,480,000 Value Indicator

$5,240,000-$7,850,000 Value Indicator

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

107 x 107cm, Edition of 8, Enamel

Medium: Enamel

Edition size: 8

Year: 1964

Size: H 107cm x W 107cm

Signed: Yes

Format: Signed Ceramic

Last Auction: May 2023

Value Trend:

-9% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
May 2023
Phillips New York
United States
N/A
N/A
N/A
March 2019
Phillips London
United Kingdom
November 2014
Christie's New York
United States
June 2012
Sotheby's London
United Kingdom
November 2010
Christie's New York
United States
May 2007
Sotheby's New York
United States
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The value of Roy Lichtenstein’s Girl In Mirror (signed) from 1964 is estimated to be worth between £3,860,000 and £5,780,000. This enamel artwork has an auction history of six total sales since its entry to the market in May 2007. Over the past five years, the hammer price has shown stability, with an average annual growth rate of -9%. This work is rare, with an edition size of 8.

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Meaning & Analysis

Girl In Mirror was manufactured using advanced printing methods and is firmly rooted in the seminal foundations of Pop Art. This glossy work serves as a strategic commentary on the divide between high and low culture.

Girl In Mirror introduces a graceful blonde woman framed within the constraints of a handheld mirror. Similar to the protagonist of Crying Girl created one year prior, the depersonalised and isolated female figure presented here examines society's codification of femininity. The work raises questions about voyeurism in consumer culture by ridiculing fabricated visual tropes.

Additionally, this work is also one of Lichtenstein’s first explorations into the optically and intellectually intriguing subject of mirrors. Using the object as a metaphor for hidden truths, Lichtenstein initiates a discourse about complexities that cannot be perceived through reflections. The artist pursued themes of projection and perception continuously throughout his career, most notably in his Mirrors and Reflections series.