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Finger Pointing - Unsigned Print by Roy Lichtenstein 1973 - MyArtBroker

Finger Pointing
Unsigned Print

Roy Lichtenstein

£9,500-£14,000Value Indicator

$20,000-$29,000 Value Indicator

$18,000-$26,000 Value Indicator

¥90,000-¥140,000 Value Indicator

11,000-16,000 Value Indicator

$100,000-$150,000 Value Indicator

¥1,890,000-¥2,780,000 Value Indicator

$13,000-$19,000 Value Indicator

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30 x 23cm, Edition of 300, Screenprint

Medium: Screenprint
Edition size: 300
Year: 1973
Size: H 30cm x W 23cm
Signed: No
Format: Unsigned Print
Last Auction: October 2024

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6 in network
3 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2024
Forum Auctions London
United Kingdom
N/A
N/A
N/A
July 2023
Sotheby's New York
United States
June 2023
Rago
United States
October 2022
Wright
United States
June 2022
Phillips London
United Kingdom
March 2022
Tate Ward Auctions
United Kingdom
December 2019
Karl & Faber
Germany
MyPortfolio
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Track auction value trend

Roy Lichtenstein's Finger Pointing, a screenprint from 1973, is estimated to be worth between £9,500 and £14,000. This artwork has shown consistent value growth, with an average annual growth rate of 7%. Over the past 12 months, the average selling price was £10,000, across a total of 1 sale. In the last five years, the hammer price has ranged from £5,391 in June 2023 to £10,000 in October 2024. This work has a positive auction history, having been sold 14 times since its initial sale in March 2016. The edition size of this artwork is limited to 300.

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Meaning & Analysis

Mirroring the reduced pictorial qualities of Spray Can and Pistol, Finger Pointing is one of Lichtenstein's early ventures into capturing essential shapes. The work borrows an iconic symbol of American nationalism and militarism: Uncle Sam, who appeared on recruitment posters during the war. Only Uncle Sam’s hand, wrist, and pointed finger survive Lichtenstein’s appropriation. The artist utilises a zoomed-in perspective and partial cropping, previously also implemented in Foot And Hand from the early 1960s amongst other works. In doing so, Lichtenstein invokes a repressed sense of underlying tension.

The riveting composition is rendered in bold outlines and a vibrant red, black, and white colour palette. Rendered through the idealised nature of print advertisements, the image makes an already assertive gesture seem even more aggressive. Lichtenstein generalises the familiar visual, thereby expanding its range of meaning.