The Valley Page 7
The Valley Page 7
Signed Print
Keith Haring
£2,300-£3,450
$4,450-$6,500 Value Indicator
$4,150-$6,000 Value Indicator
¥21,000-¥30,000 Value Indicator
€2,750-€4,150 Value Indicator
$23,000-$35,000 Value Indicator
¥450,000-¥670,000 Value Indicator
$3,000-$4,500 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 80
Year: 1989
Size: H 36cm x W 30cm
Signed: Yes
Format: Signed Print
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| July 2021 | Forum Auctions London - United Kingdom | The Valley Page 7 - Signed Print |
Meaning & Analysis
This signed etching from 1989 is a limited edition of 80 from Keith Haring’s The Valley series. Showing a line drawing of a man counting fish, The Valley Page 7 is indicative of Haring’s stylistic and thematic shifts in the latter part of his career.
The Valley series was born from a collaboration with the Beat Era poet and novelist William S. Burroughs, whose text-based ‘cut-up’ method formed the basis of Haring’s pictographic style. In each print the image mimics the story told in the text displayed.
The ominous texts by Burroughs are copied by hand on sixteen sheets of tracing paper, which were photo-etched onto copper plates and printed in red ink. The text which is also titled, The Valley, is a chapter from the author’s novel, The Western Lands from 1987. This print tells the story of preparing, planning and counting food in a society where provisions are scarce, adhering to the nightmarish theme of the series.
Much like Haring’s Apocalypse series (1988), this series introduces stylistic and thematic shifts in the artist’s style, depicting characters and narratives that are indicative of the artist’s preoccupation with the end of life. Diagnosed with AIDS in 1987, The Valley Page 7 is representative of the way in which Haring’s work and activism became intensely embroiled in his personal life and the socio-political context of the AIDS epidemic in New York City.
