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The Valley Page 3 - Signed Print by Keith Haring 1989 - MyArtBroker

The Valley Page 3
Signed Print

Keith Haring

£2,100-£3,100Value Indicator

$4,400-$6,500 Value Indicator

$3,900-$6,000 Value Indicator

¥21,000-¥30,000 Value Indicator

2,450-3,600 Value Indicator

$22,000-$35,000 Value Indicator

¥420,000-¥620,000 Value Indicator

$2,850-$4,250 Value Indicator

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Etching

Edition size: 80

Year: 1989

Size: H 36cm x W 30cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Keith Haring's The Valley Page 3 (signed) is estimated to be worth between £2,100 and £3,100. This etching print, created in 1989, has shown consistent value growth, with an average annual growth rate of 5%. This work has an auction history of three sales since its entry to the market in June 2019. The most recent sale occurred in the last 12 months, with the hammer price falling within the range of £1,800 to £2,000. The average return to the seller over the past five years is £1,615. The edition size of this artwork is limited to 80.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
July 2024Forum Auctions London United Kingdom
July 2021Forum Auctions London United Kingdom
June 2019Forum Auctions London United Kingdom

Meaning & Analysis

The Valley series is one of many by Haring that when considered in full, tells an unusual story as the sequence of images, combined with text, unfold. Comparable to his Apocalypse series (1988) completed one year earlier, Haring’s images are chaotic and are born from a collaboration with the Beat Era poet and novelist William S. Burroughs, whose text-based ‘cut-up’ method formed the basis of Haring’s pictographic style.

Haring’s later works such as The Valley Page 3 have been compared within art historical narratives to the chaotic storytelling of Hieronymus Bosch and the fierce liveliness of his friend and contemporary Jean-Michael Basquiat. This particular series is representative of a stylistic shift exemplified in his Cranbrook Mural (1987) that introduced intentional blotches, drips and themes around death and the end of times.

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