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The Valley Page 3 - Signed Print by Keith Haring 1989 - MyArtBroker

The Valley Page 3
Signed Print

Keith Haring

£2,100-£3,100Value Indicator

$4,300-$6,500 Value Indicator

$3,850-$5,500 Value Indicator

¥20,000-¥30,000 Value Indicator

2,400-3,600 Value Indicator

$22,000-$35,000 Value Indicator

¥420,000-¥620,000 Value Indicator

$2,800-$4,150 Value Indicator

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36 x 30cm, Edition of 80, Etching

Medium: Etching

Edition size: 80

Year: 1989

Size: H 36cm x W 30cm

Signed: Yes

Format: Signed Print

Last Auction: July 2024

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
July 2024
Forum Auctions London
United Kingdom
$1,950
$2,300
$2,900
July 2021
Forum Auctions London
United Kingdom
June 2019
Forum Auctions London
United Kingdom
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Track auction value trend

The value of Keith Haring’s The Valley Page 3 (signed) is estimated to be worth between £2,100 and £3,100. This etching print from 1989 has shown consistent value growth, with an average annual growth rate of 6%. This work has an auction history of three total sales since its entry to the market in June 2019. Over the past 12 months, the average selling price was £1,800, across a total of 1 sale. In the last five years, the hammer price has ranged from £1,800 in July 2024 to £2,000 in July 2021. The average return to the seller over this period has been £1,615. The edition size of this artwork is limited to 80.

Created with Highcharts 11.4.8Jun 2019Apr 2020Feb 2021Dec 2021Nov 2022Sep 2023Jul 2024$1,500$1,750$2,000$2,250$2,500$2,750$3,000© MyArtBroker

Meaning & Analysis

The Valley series is one of many by Haring that when considered in full, tells an unusual story as the sequence of images, combined with text, unfold. Comparable to his Apocalypse series (1988) completed one year earlier, Haring’s images are chaotic and are born from a collaboration with the Beat Era poet and novelist William S. Burroughs, whose text-based ‘cut-up’ method formed the basis of Haring’s pictographic style.

Haring’s later works such as The Valley Page 3 have been compared within art historical narratives to the chaotic storytelling of Hieronymus Bosch and the fierce liveliness of his friend and contemporary Jean-Michael Basquiat. This particular series is representative of a stylistic shift exemplified in his Cranbrook Mural (1987) that introduced intentional blotches, drips and themes around death and the end of times.

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