The World's Largest Modern & Contemporary Prints & Editions Platform
Truck Birds Wind - Signed Print by Julian Opie 2000 - MyArtBroker

Truck Birds Wind
Signed Print

Julian Opie

Price data unavailable

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

76 x 112cm, Edition of 40, Digital Print

Medium: Digital Print

Edition size: 40

Year: 2000

Size: H 76cm x W 112cm

Signed: Yes

Format: Signed Print

Last Auction: July 2021

Find out how Buying or Selling works.

Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
July 2021
Rosebery's Fine Art Auctioneers
United Kingdom
N/A
N/A
N/A
March 2018
Sotheby's Online
United Kingdom
November 2008
Phillips New York
United States
MyPortfolio
Auction Table Image
Unlock access to our full history of auction results
400+International auction houses tracked
30+Years of auction data
We are passionate about selling art, not data. We will never share or sell your information without your permission.

Track auction value trend

Julian Opie's Truck Birds Wind (signed) from 2000, a digital print, is estimated to be worth between £2,050 and £3,050. This artwork has shown consistent value growth, with an average annual growth rate of 4%. This piece has an auction history of three total sales since its entry to the market on 22nd November 2008. In the last five years, the hammer price has ranged from £2,600 on 7th July 2021. The average return to the seller for this artwork is £2,210. Truck Birds Wind is part of a limited edition of 40.

Created with Highcharts 11.4.8© MyArtBroker

Meaning & Analysis

Truck Birds Wind shows a forest landscape that takes up around half of the composition, with the top half of the image filled with an empty blue sky and a small, shining moon. Much of Opie’s work has been compared to the digitally rendered landscapes of video games in the way that they mimic a simultaneously familiar yet otherworldly sphere.

This print was rendered from a digital photograph taken by Opie that is then scanned and altered digitally to reduce the detail of the original image, saturate the colours and flatten its form. Opie creates representation at its bare minimum, a scene devoid of human presence to form a depersonalised image from which the viewer can project their own experiences on to. Opie has said of this viewing experience: “what I would really like to do is make a painting and then walk into it.”