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Signed Print
Howard Hodgkin
£650-£950
$1,250-$1,850 Value Indicator
$1,150-$1,700 Value Indicator
¥6,000-¥9,000 Value Indicator
€800-€1,150 Value Indicator
$6,500-$9,500 Value Indicator
¥130,000-¥190,000 Value Indicator
$850-$1,250 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 150
Year: 1983
Size: H 85cm x W 62cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2024 | Bonhams New Bond Street | United Kingdom | |||
| September 2022 | Litchfield Auctions | United States | |||
| June 2022 | Wright | United States | |||
| March 2021 | Freeman's | United States | |||
| March 2021 | Sotheby's Online | United Kingdom | |||
| September 2020 | Wright | United States | |||
| October 2019 | Rosebery's Fine Art Auctioneers | United Kingdom |
Meaning & Analysis
This signed lithograph from 1093 is a limited edition of 150 from Howard Hodgkin’s Olympics series. The vertical print is dominated by bright reds and greens on a white background. The work shows what appears to be a tree, rendered in the form of a very stylised and abstract arrow, overlaid onto the red painterly marks.
Sarajevo, also known as Winter Sports and Welcome, constitutes one of Hodgkin’s most surprising and rare works, where the artist resorts to quasi-representational forms. The work is the first of Hodgkin’s Olympics series, dedicated to each print that he made to honour the sports competition. Hodgkin got commissioned the work in 1983 in preparation for the 1984 XIV Olympic Winter Games held in Sarajevo, and participated in the cultural initiative “Art and Sports.” The “Art and Sports” programme was established in conjunction with the Olympics and the founding of the Olympics Museum in Sarajevo and saw the participation of artists of the calibre of Andy Warhol, Michelangelo Pistoletto and Henry Moore, who, like Hodgkin, contributed with their works to the creation of a world-class artistic portfolio to be displayed in the Museum to represent the values and spirit of the Olympics. Hodgkin’s love for agonistic sports is thus best emblematised in works like Sarajevo, which shed light on different facets of Hodgkin’s eclectic artistic practice.
The print was proofed and printed by Perry Tymeson at the Petersburg Studios in New York, and is held in the Olympic Museum of Lausanne as well as in the recently re-opened Olympic Museum of Sarajevo.
