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Love Conquers Nothing - Signed Print by Harland Miller 2011 - MyArtBroker

Love Conquers Nothing
Signed Print

Harland Miller

£2,600-£3,900Value Indicator

$5,500-$8,000 Value Indicator

$4,800-$7,000 Value Indicator

¥25,000-¥40,000 Value Indicator

€3,000-€4,500 Value Indicator

$28,000-$40,000 Value Indicator

¥520,000-¥780,000 Value Indicator

$3,500-$5,500 Value Indicator

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42 x 34cm, Edition of 35, Digital Print

Medium: Digital Print

Edition size: 35

Year: 2011

Size: H 42cm x W 34cm

Signed: Yes

Format: Signed Print

Last Auction: October 2024

Value Trend:

-8% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

TradingFloor

4 in network
2 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2024
Chiswick Auctions
United Kingdom
N/A
N/A
N/A
September 2024
Sotheby's Online
United Kingdom
April 2024
Sotheby's London
United Kingdom
December 2023
Tate Ward Auctions
United Kingdom
December 2023
Tate Ward Auctions
United Kingdom
November 2023
Rosebery's Fine Art Auctioneers
United Kingdom
October 2023
Tate Ward Auctions
United Kingdom
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Track auction value trend

The value of Harland Miller's Love Conquers Nothing (signed) is estimated to be worth between £2,600 and £3,900. This digital print artwork, created in 2011, has an auction history of 8 total sales since its entry to the market on 9th December 2015. Over the past 12 months, the average selling price was £2,880, across a total of 1 sale. In the last five years, the hammer price has varied from £2,880 in September 2024 to £9,000 in June 2021. The average annual growth rate of this work is -8%. This artwork is part of a limited edition of 35.

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Meaning & Analysis

Love Conquers Nothing, produced in 2011, highlights Miller’s satirical, slightly cynical humour and Abstract Expressionist influences running through his emblematic Penguin series. These clever works are based on the familiar cover format of Penguin books, authentically replicated in their rugged, second-hand finish by Miller through applying layers of paint onto an original digital photograph. The Penguin series is a fascinating exploration of the disconnect between representation and reality through Miller’s manipulation of his invented titles of these reimagined books by colour-coding them with various backgrounds. The titles can be characterized as “wittily deadpan, punkish and aphoristic” as novelist Michael Bracewell said.

Love Conquers Nothing is shown against a rich, dark-toned background resembling an abstract painting with the black paint dominating, dripping down over the magenta and yellow. This gives the text a pessimistic, even nihilistic air, demonstrating Miller’s skill of coding language through colour and image.It marries a variety of Miller’s important influences including his love for language and literature and visual traces of Pop Art, Colour Field and Abstract Expressionism and artists Anselm Kiefer, Rauschenberg, Ed Ruscha and Mark Rothko. In this piece the juxtaposition between the nostalgia and sentiment evoked by the familiarity of Vintage Penguin Classics and the quasi anti-romantic, disillusioned title strikes as especially powerful.

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