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High On Hope (yellow) - Signed Print by Harland Miller 2019 - MyArtBroker

High On Hope (yellow)
Signed Print

Harland Miller

£6,000-£9,500Value Indicator

$12,500-$20,000 Value Indicator

$11,000-$18,000 Value Indicator

¥60,000-¥90,000 Value Indicator

€7,000-€11,000 Value Indicator

$60,000-$100,000 Value Indicator

¥1,190,000-¥1,890,000 Value Indicator

$8,000-$13,000 Value Indicator

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76 x 60cm, Edition of 75, Screenprint

Medium: Screenprint

Edition size: 75

Year: 2019

Size: H 76cm x W 60cm

Signed: Yes

Format: Signed Print

Last Auction: March 2025

Value Trend:

-12% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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4 in network
5 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2025
Tate Ward Auctions
United Kingdom
N/A
N/A
N/A
September 2023
Phillips London
United Kingdom
April 2023
Bonhams New Bond Street
United Kingdom
June 2021
Phillips London
United Kingdom
March 2021
Tate Ward Auctions
United Kingdom
January 2021
Phillips London
United Kingdom
November 2020
Tate Ward Auctions
United Kingdom
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Track auction value trend

The value of Harland Miller's High On Hope (yellow) (signed) is estimated to be worth between £6,000 and £9,500. This screenprint has shown consistent value growth, with an average annual growth rate of 9%. This work has an auction history of 8 total sales since its entry to the market on 7th October 2020. Over the past 12 months, the average selling price was £4,800, across a total of 1 sale. The hammer price over the past five years has ranged from £4,800 in March 2025 to £24,000 in January 2021, with an average annual growth rate of 9%. The edition size of this artwork is limited to 75.

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Meaning & Analysis

The style of lettering in this work is reminiscent of the artist’s humorous titles of the past, one such example beingHate's Outta Date!. Rather than employing a shadowing technique to invoke dimension, however, the work experiments with angles and depth. The worn spine of the book is seemingly floating off canvas, similar to one of Miller’s earlier prints christened I’ll Never Forget What I Can’t Remember.

In terms of format, High On Hope is completely identical to a Penguin classic. Miller explicitly adopts the orange dust jacket’s standardized design, in order to place the words and their potential meaning on center stage. The artist herebalances the comforting visuals of the revisited brand image against an advert like catch phrase. Therefore, High on Hope functions as a sly reflection on consumer culture and collective memory, in the same manner as Andy Warhol’s Campbell’s Soupsonce did.