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Pembroke Studio With Blue Chairs And Lamp Signed Print
David Hockney: Pembroke Studio With Blue Chairs And Lamp - Signed Print

Pembroke Studio With Blue Chairs And Lamp

David Hockney

Pembroke Studio With Blue Chairs And Lamp - Signed Print by David Hockney 1984 - MyArtBroker

Pembroke Studio With Blue Chairs And Lamp
Signed Print

David Hockney

£9,000-£14,000Value Indicator

$19,000-$29,000 Value Indicator

$16,000-$26,000 Value Indicator

¥90,000-¥130,000 Value Indicator

€10,500-€16,000 Value Indicator

$90,000-$140,000 Value Indicator

¥1,700,000-¥2,640,000 Value Indicator

$12,000-$18,000 Value Indicator

-3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Lithograph

Edition size: 98

Year: 1984

Size: H 47cm x W 56cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of David Hockney’s Pembroke Studio With Blue Chairs And Lamp (signed) is estimated to be worth between £9,000 and £14,000. This lithograph print, created in 1984, has shown consistent value growth since its first sale in November 1993. Over the past 12 months, the average selling price was £9,078 across 1 sale. The artwork has an auction history of 16 total sales. The hammer price over the last five years has ranged from £9,078 in September 2024 to £16,000 in September 2023. The average annual growth rate of this work is -3%. The edition size of this artwork is limited to 98.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
September 2024Freeman's United States
October 2023Christie's New York United States
September 2023Phillips London United Kingdom
April 2022Palm Beach Modern Auctions United States
April 2021Christie's New York United States
June 2017Uppsala Auktionskammare Sweden
June 2017Phillips London United Kingdom

Meaning & Analysis

As with Pembroke Studio Interior, in Pembroke Studio With Blue Chairs And Lamp we are presented with a vision of a studio where the perspective has been altered, so that the tables and chairs, and even the floor and the ceiling, have been placed at an unnatural angle. The viewer is left feeling a little seasick as the furniture appears to slide towards them in what appears to be a playful experiment with the multiple viewpoints commonly found in Cubism, as well as Hockney’s own photographic collages. In his attempts to capture how the eye truly sees the world – as opposed to the single angle of the camera lens – in these collages he took multiple photos of the same scene or interior from different angles. Here we can see him trying this in lithography, changing the angle of the floorboards to create a fractured effect. Dating to 1984 the work is one of the earliest of the Moving Focus series and sees him striking a note from which he will carry on to make bold works influenced by Cubism using a bright palette, pushing the medium of lithography to create a varied portfolio that reflects the scope of his oeuvre and talent as a printmaker.

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