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Hotel Acatlán: First Day - Signed Print by David Hockney 1985 - MyArtBroker

Hotel Acatlán: First Day
Signed Print

David Hockney

£70,000-£110,000Value Indicator

$150,000-$230,000 Value Indicator

$130,000-$200,000 Value Indicator

¥680,000-¥1,070,000 Value Indicator

€80,000-€130,000 Value Indicator

$740,000-$1,170,000 Value Indicator

¥13,720,000-¥21,560,000 Value Indicator

$90,000-$150,000 Value Indicator

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74 x 188cm, Edition of 70, Lithograph

Medium: Lithograph

Edition size: 70

Year: 1985

Size: H 74cm x W 188cm

Signed: Yes

Format: Signed Print

Last Auction: October 2023

Value Trend:

12% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2023
Christie's New York
United States
$90,000
$110,000
$140,000
March 2021
Christie's New York
United States
September 2019
Sotheby's Online
United Kingdom
April 2018
Sotheby's New York
United States
April 2017
Christie's New York
United States
April 2017
Phillips New York
United States
April 2014
Christie's New York
United States
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The value of David Hockney's Hotel Acatlán: First Day (signed) is estimated to be worth between £70,000 and £110,000. This lithograph print, created in 1985, has shown consistent value growth, with an impressive average annual growth rate of 12%. This work has an auction history of 11 total sales since its entry to the market on 27th October 2010. In the last 12 months, the hammer price has ranged from £46,769 in March 2021 to £90,734 in October 2023. The edition size of this artwork is limited to 70.

Created with Highcharts 11.4.8Apr 2014Nov 2015Jun 2017Jan 2019Aug 2020Mar 2022Oct 2023$60,000$80,000$100,000$120,000$140,000$160,000© MyArtBroker

Meaning & Analysis

One of six views of the courtyard of the Hotel Acatlánin Mexico which Hockney came across after running into car trouble while on holiday in 1984, Hotel Acatlán: First Day shows a wide lens view that brings inside and outside together. We are gazing out at a lush garden from under a large portico that wraps around the building; wooden beams spread out overhead like rays of sunlight supported by blue columns, lone chairs fade into the bright red of the floor, and large plant pots border the edge of the grass. At either end of the panoramic composition stand green doors providing an edge to this expanse of colour. The garden and courtyard appear as a kind of paradise, their bright colours immediately placing us in central or south America and we can feel the heat of the sun and the smell of the plants as we inhabit the artist’s viewpoint at the centre of the composition. A vibrant lithographic print, the work spans across two sheets to fit everything in, emphasising the unnatural angle of the scene which, in its scope, recalls many of Hockney’s photographic collages, in which the artist attempted to represent perspective as he saw it, in order to ‘feel space’.

  • British-born artist David Hockney is a kaleidoscopic force in the art world. Born in 1937, Hockney's vibrant palette and innovative techniques have left an indelible mark on contemporary art. A pioneer of the British Pop Art movement in the 1960s, he seamlessly transitioned through various styles, from photo collages to vivid landscapes. Renowned for his exploration of light and space, Hockney's versatility extends to painting, printmaking, photography, and stage design. A captivating storyteller, his works often capture the essence of modern life with a playful yet profound touch. With a career spanning decades, Hockney remains an enduring visionary in the ever-evolving art world.

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