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Cathedral, Notre Dame - Signed Print by Damien Hirst 2007 - MyArtBroker

Cathedral, Notre Dame
Signed Print

Damien Hirst

£16,000-£23,000Value Indicator

$35,000-$45,000 Value Indicator

$29,000-$40,000 Value Indicator

¥150,000-¥220,000 Value Indicator

18,000-27,000 Value Indicator

$170,000-$240,000 Value Indicator

¥3,190,000-¥4,590,000 Value Indicator

$22,000-$30,000 Value Indicator

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120 x 120cm, Edition of 50, Screenprint

Medium: Screenprint
Edition size: 50
Year: 2007
Size: H 120cm x W 120cm
Signed: Yes
Format: Signed Print
Last Auction: March 2022
Value Trend:
-3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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1 in network
3 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2022
Sotheby's Online
United Kingdom
£13,709
£16,128
£20,160
March 2020
Sotheby's Online
United Kingdom
January 2017
Sotheby's Hong Kong
Hong Kong
October 2014
Christie's New York
United States
October 2011
Phillips New York
United States
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Track auction value trend

The value of Damien Hirst’s Cathedral, Notre Dame (signed) is estimated to be worth between £16,000 and £23,000. This screenprint, created in 2007, has shown consistent value growth, with an average annual growth rate of 3%. This work has an auction history of five sales since its initial sale on 25th October 2011. The hammer price over the past five years has ranged from £13,709 in September 2019 to £16,321 in May 2018. The edition size of this artwork is limited to 50.

Created with Highcharts 11.4.8Oct 2011Jul 2013Apr 2015Dec 2016Sep 2018Jun 2020Mar 2022£12,000£14,000£16,000£18,000£20,000£22,000© MyArtBroker

Meaning & Analysis

Evoking the rose windows of Gothic cathedrals, Hirst’s Cathedral series is reminiscent of his many kaleidoscopic paintings from the 2000s, the most comparable being his Superstition series from 2006. This series of pointed arch shaped paintings mimic the windows of a cathedral, obscuring the hundreds of butterfly wings that constitute its meticulous pattern.

Cathedral, Notre Dame is indicative of Hirst’s desire to bring together themes of science, aesthetics and religion through the leitmotif of the butterfly. Recalling someone once saying to him: ‘Butterflies are beautiful, but it’s a shame they have disgusting hairy bodies in the middle,’ Hirst in works like this chose only to display the dazzling wings of the insect. The butterfly has been used by the Greeks to depict Psyche, the soul, and in Christian imagery represents resurrection. In bringing together the fragility of the butterfly wings with the monumentality of religious art, Hirst investigates seemingly conflicting ideas that are at the core of humanity.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.