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Vespula Vidua - Signed Print by Damien Hirst 2011 - MyArtBroker

Vespula Vidua
Signed Print

Damien Hirst

£9,000-£13,500Value Indicator

$19,000-$28,000 Value Indicator

$17,000-$25,000 Value Indicator

¥90,000-¥130,000 Value Indicator

10,500-16,000 Value Indicator

$100,000-$140,000 Value Indicator

¥1,790,000-¥2,690,000 Value Indicator

$12,000-$18,000 Value Indicator

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91 x 112cm, Edition of 100, Screenprint

Medium: Screenprint

Edition size: 100

Year: 2011

Size: H 91cm x W 112cm

Signed: Yes

Format: Signed Print

Last Auction: July 2022

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
July 2022
Christie's New York
United States
$12,000
$14,000
$18,000
February 2018
Christie's New York
United States
November 2016
Christie's New York
United States
October 2014
Christie's New York
United States
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Track auction value trend

The value of Damien Hirst's Vespula Vidua (signed) is estimated to be worth between £9,000 and £13,500. This screenprint, created in 2011, has shown a consistent value growth rate and has an auction history of four total sales since its entry to the market on 24th October 2014. The edition size of this artwork is limited to 100.

Created with Highcharts 11.4.8Oct 2014Jan 2016May 2017Aug 2018Dec 2019Mar 2021Jul 2022$8,000$10,000$12,000$14,000$16,000$18,000$20,000© MyArtBroker

Meaning & Analysis

The Spots paintings have become iconic to Hirst’s name. There are over 1000 of the paintings in existence, dating from 1988 to 2011, where Hirst has produced an average of 60 Spots paintings a year. There are many more editioned prints like this one that depict the rows of coloured spots. The grid formula for these paintings is the basis for an endless series where Hirst can infinitely explore harmonious and contrasting colour combinations.

Fascinated by intuitive colour choice from his days at Goldsmiths, Hirst claims that the Spots paintings have removed any problems he previously had with colour, allowing him to present a perfect arrangement of colour that is never repeated. Hirst in 2000 remarked on the impact of an installation of multiple spot paintings, “it’s an assault on your senses. They grab hold of you and give you a good shaking. As adults, we’re not used to it. It’s an amazing fact that all objects leap beyond their own dimension.”

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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