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Ad Te Domine Levavi (diamond dust) - Signed Print by Damien Hirst 2010 - MyArtBroker

Ad Te Domine Levavi (diamond dust)
Signed Print

Damien Hirst

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74 x 72cm, Edition of 50, Screenprint

Medium: Screenprint
Edition size: 50
Year: 2010
Size: H 74cm x W 72cm
Signed: Yes
Format: Signed Print
Last Auction: June 2022

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2022
Phillips London
United Kingdom
$10,000
$12,000
$15,000
January 2020
Wright
United States
July 2018
Christie's New York
United States
March 2016
Christie's New York
United States
June 2012
Swann Galleries
United States
July 2011
Christie's New York
United States
March 2011
Sotheby's London
United Kingdom
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Track auction value trend

The value of Damien Hirst’s Ad Te Domine Levavi (diamond dust) (signed) is estimated to be worth between £7,000 and £10,500. This screenprint has an auction history of eight total sales since its entry to the market in September 2010. Over the past five years, the hammer price has remained consistent. The edition size of this artwork is limited to 50.

Created with Highcharts 11.4.8Mar 2011Jan 2013Dec 2014Oct 2016Sep 2018Jul 2020Jun 2022$8,000$10,000$12,000$14,000$16,000© MyArtBroker

Meaning & Analysis

Ad Te Domine Levavi is a signed screen print in colours with diamond dust produced by renowned contemporary artist, Damien Hirst. In this print, Hirst produces concentric circles formed of butterfly wings. The butterflies are arranged meticulously in a circular pattern, with a yellow butterfly occupying the centre of the arrangement. The print is composed of bright colours, with blue, red and yellow dominating the composition. The bold colours and intricate pattern bring dynamism to the impressive print.

The print, made in 2010, is part of the artist’s Psalms series. Hirst started work on this series in 2008, which is composed of 150 works, all of which are made using butterfly wings on painted canvases. Each print in the series is named after a psalm from the Old Testament, reflective of the way in which Hirst uses his art to question belief systems, such as religion. The Psalms are part of a broader series, the Kaleidoscope series, an ambitious project started by the artist in 2001, which was inspired by the intricate pattern of butterfly wings Hirst saw on an old Victoria tea tray.

The butterfly has become a signature part of Hirst’s visual language and iconography. The artist began using butterflies in his work as early as 1989, while he was studying Fine Art at Goldsmiths College and has continued to incorporate the beautiful insect into his works in series such as The Souls series.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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