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To Love - Signed Print by Damien Hirst 2008 - MyArtBroker

To Love
Signed Print

Damien Hirst

£3,550-£5,500Value Indicator

$7,500-$11,500 Value Indicator

$6,500-$10,000 Value Indicator

¥35,000-¥50,000 Value Indicator

€4,100-€6,500 Value Indicator

$40,000-$60,000 Value Indicator

¥710,000-¥1,090,000 Value Indicator

$4,800-$7,500 Value Indicator

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41 x 44cm, Edition of 75, Aquatint

Medium: Aquatint

Edition size: 75

Year: 2008

Size: H 41cm x W 44cm

Signed: Yes

Format: Signed Print

Last Auction: June 2025

Value Trend:

2% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2025
Phillips London
United Kingdom
$4,600
$5,500
$7,000
March 2025
Phillips Hong Kong
Hong Kong
October 2024
Phillips London
United Kingdom
September 2022
Phillips London
United Kingdom
February 2022
Wright
United States
September 2021
Bonhams Knightsbridge
United Kingdom
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Track auction value trend

The value of Damien Hirst's To Love (signed) is estimated to be worth between £3,550 and £5,500. This aquatint artwork, created in 2008, has shown a consistent sales history with six total sales since its entry to the market on 22nd September 2021. Over the past 12 months, the average selling price was £2,763, across 3 sales. In the last five years, the hammer price has ranged from £1,490 in March 2025 to £5,500 in September 2022. The average annual growth rate of this work is 2%. The edition size of this artwork is limited to 75.

Created with Highcharts 11.4.8Sep 2021May 2022Dec 2022Jul 2023Mar 2024Oct 2024Jun 2025$4,000$4,500$5,000$5,500$6,000$6,500$7,000© MyArtBroker

Meaning & Analysis

Hirst has continually used the motif of the butterfly to varying effect throughout his career. In this instance, the process of acquatint, taken from a series of etchings, enables the artist to display the butterfly in its foremost beauty. The black background stands as contrast against the detailed drawing of the orange and yellow wings of the animal. The viewer is able to see these wings in detail. The butterfly is visible in such detail because it has been enlarged.

Though it was typical of Hirst to explore the visual appeal of the butterfly, its use in this print stands in contrast to his other work. Several of Hirst’s prints have seen numerous butterflies, their wings detached from their bodies, laid out in an intricate and carefully ordered pattern, to create a kaleidoscopic attempt: this is seen most famously in his Cathedral series. This work is instead an early example of Hirst’s use of the singular butterfly. He was to pick this back up in 2015 with the series entitled I Love You.