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Pharmacy - Signed Print by Damien Hirst 1992 - MyArtBroker

Pharmacy
Signed Print

Damien Hirst

£1,200-£1,800Value Indicator

$2,500-$3,700 Value Indicator

$2,200-$3,350 Value Indicator

¥11,500-¥17,000 Value Indicator

1,400-2,100 Value Indicator

$12,500-$19,000 Value Indicator

¥240,000-¥360,000 Value Indicator

$1,600-$2,450 Value Indicator

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22 x 22cm, Edition of 200, Lithograph

Medium: Lithograph
Edition size: 200
Year: 1992
Size: H 22cm x W 22cm
Signed: Yes
Format: Signed Print
Last Auction: April 2025
Value Trend:
-4% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2025
Bukowskis, Stockholm
Sweden
$1,200
$1,450
$1,750
June 2022
Phillips New York
United States
May 2021
Bonhams New York
United States
November 2018
Freeman's
United States
May 2015
Artcurial
France
July 2009
Bonhams Knightsbridge
United Kingdom
September 2008
Christie's London
United Kingdom
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Track auction value trend

The value of Damien Hirst’s Pharmacy (signed) is estimated to be worth between £1,200 and £1,800. This lithograph print from 1992, has shown consistent value growth since its first sale in February 2004. This work has an auction history of 10 total sales. Over the past 12 months, the average selling price was £1,084, across a total of 1 sale. The hammer price over the last five years has ranged from £1,084 in April 2025 to £2,282 in June 2022. The average annual growth rate of Pharmacy is -4%. This work is part of a limited edition of 200.

Created with Highcharts 11.4.8Sep 2008Jun 2011Mar 2014Dec 2016Oct 2019Jul 2022Apr 2025$1,000$1,200$1,400$1,600$1,800$2,000© MyArtBroker

Meaning & Analysis

Hirst has said of his pharmaceutical works, “I’ve always seen medicine cabinets as bodies, but also like a cityscape or civilisation, with some sort of hierarchy within it. It’s also like a contemporary museum of the Middle Ages. In a hundred years time this will look like an old apothecary. A museum of something that’s around today.”

Much of Hirst’s oeuvre, including Pharmacy, is reminiscent of the work of Marcel Duchamp and his ‘ready-mades’. Taking images and objects from the everyday and hardly making any alterations, Hirst confronts the viewer with questions around what makes something art? Is an object considered an art object because it sits in a museum? Both the original installation of Pharmacy and the printed editions epitomise this notion of the ready-made, bringing true-to-life medicine cabinets and the setting of a pharmacy into the museum space.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.