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Standing Up, Turning Round, Lying Down - Signed Print by Bridget Riley 2015 - MyArtBroker

Standing Up, Turning Round, Lying Down
Signed Print

Bridget Riley

£8,000-£12,000Value Indicator

$17,000-$25,000 Value Indicator

$15,000-$22,000 Value Indicator

¥80,000-¥120,000 Value Indicator

€9,500-€14,000 Value Indicator

$90,000-$130,000 Value Indicator

¥1,590,000-¥2,380,000 Value Indicator

$11,000-$16,000 Value Indicator

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71 x 59cm, Edition of 75, Screenprint

Medium: Screenprint

Edition size: 75

Year: 2015

Size: H 71cm x W 59cm

Signed: Yes

Format: Signed Print

Last Auction: June 2025

Value Trend:

-5% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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3 in network
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2025
Bonhams New Bond Street
United Kingdom
$8,500
$10,000
$13,000
May 2021
Sotheby's London
United Kingdom
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Bridget Riley's Standing Up, Turning Round, Lying Down (signed) is a screenprint from 2015, with an estimated value of £8,000 to £12,000. This artwork has shown consistent value growth, with an auction history of two total sales since its entry to the market in May 2021. Over the past 12 months, the average selling price was £7,500. In the last five years, the hammer price has ranged from £7,500 in June 2025 to £10,000 in May 2021. The average annual growth rate of this work is currently -5%. This work is part of a limited edition of 75.

Created with Highcharts 11.4.8May 2021Jan 2022Sep 2022May 2023Feb 2024Oct 2024Jun 2025$7,000$8,000$9,000$10,000$11,000$12,000$13,000$14,000© MyArtBroker

Meaning & Analysis

Made in 2015, this print was produced once Riley had gained the status of a highly influential, critically acclaimed artist. Riley rose to fame in the 1960s following an exhibition at the Museum of Modern Art in New York in 1965 which included some of her remarkable black and white paintings. Riley’s early work is characterised by her black and white palette and the way in which the artist experimented with light, shape and colour to evoke a sense of movement in her artworks.

While Riley’s early works tend to be in black and white, by the late 1960s the artist started experimenting with colour. Riley became fascinated with the way in which colour could influence perception as well as one’s emotional response to an image. Riley’s later works are marked by the use of bright colours and an experimentation with colour, tones and hues.

  • Bridget Riley, a leading figure in the British Op-Art movement, has captivated audiences with her abstract paintings and prints that challenge visual perception. Born in London, 1931, Riley’s artistic journey evolved from semi-Impressionist beginnings to geometric mastery, significantly influencing modern art. Her groundbreaking artworks, from Movement In Squares to the vibrant Stripes series, explore optical phenomena and colour dynamics, creating mesmerising, dizzying effects. With a prolific career spanning over seven decades, Riley’s innovative designs and perceptual disruptions continue to shape contemporary British art, solidifying her enduring influence in the realm of abstract and modern art.

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