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Train Tracks (2008 Portfolio) - Signed Print by Bob Dylan 2008 - MyArtBroker

Train Tracks (2008 Portfolio)
Signed Print

Bob Dylan

£3,900-£6,000Value Indicator

$8,000-$12,500 Value Indicator

$7,000-$11,000 Value Indicator

¥40,000-¥60,000 Value Indicator

4,500-7,000 Value Indicator

$40,000-$60,000 Value Indicator

¥770,000-¥1,180,000 Value Indicator

$5,500-$8,000 Value Indicator

-35% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Giclée print

Edition size: 295

Year: 2008

Size: H 69cm x W 56cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Bob Dylan’s Train Tracks (2008 Portfolio) is estimated to be worth between £3,900 and £6,000. This signed Giclée print, created in 2008, has shown consistent value growth, with an auction history of four total sales. The most recent sale occurred in the last 12 months, with the artwork selling for an average selling price of £5,500. Over the past five years, the hammer price has ranged from £5,500 in November 2024 to £8,000 in October 2023. The average annual growth rate of this work is -35%. The edition size of this artwork is limited to 295.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
November 2024Rosebery's Fine Art Auctioneers United Kingdom
March 2024Rosebery's Fine Art Auctioneers United Kingdom
October 2023Duke's Auctioneers United Kingdom
December 2022Whyte's Ireland

Meaning & Analysis

The portfolio format of Train Tracks allows Dylan to explore the same railway subjects under varied conditions: dawn light, midday sun, storm clouds, and a setting sun. His watercolour technique emphasises the changing relationship between steel tracks and natural environment throughout different times and seasons, giving three-dimensional form to the shapes without making them too defined.

The series demonstrates his interest in how industrial infrastructure fits within natural environments, but also how it can be a thing of beauty in itself, representing both personal relationships with specific locations and broader themes of American progress. Each print maintains focus on the tracks themselves, affording very little detail to the stations and houses, emphasising the permanent pathways that enable movement rather than their surroundings or the temporary vehicles that use them. Painted over a series of weather conditions, the portfolio demonstrates his belief that thorough artistic documentation requires sustained attention over time, revealing aspects of familiar subjects that single works cannot capture. This approach reflects his touring musician's understanding of how the same landscape can appear completely different under changing conditions of light, weather, and season.

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