Flash November 22 (F. & S. II.33)
Flash November 22 (F. & S. II.33)
Signed Print
Andy Warhol
£3,650-£5,500
$7,000-$11,000 Value Indicator
$6,500-$10,000 Value Indicator
¥35,000-¥50,000 Value Indicator
€4,400-€6,500 Value Indicator
$35,000-$50,000 Value Indicator
¥690,000-¥1,040,000 Value Indicator
$4,650-$7,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 200
Year: 1963
Size: H 53cm x W 53cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| November 2024 | Artcurial | France | |||
| October 2024 | Bonhams Los Angeles | United States | |||
| May 2023 | Bonhams New York | United States | |||
| October 2022 | Van Ham Fine Art Auctions | Germany | |||
| June 2022 | Rago | United States | |||
| October 2021 | Cornette de Saint Cyr Paris | France | |||
| August 2021 | Cornette de Saint Cyr Paris | France |
Meaning & Analysis
Flash November 22 (F. & S. II.33) is a signed screen print produced by Andy Warhol, one of the leading figures of the Pop Art movement, and comes in an edition size of 200. The print was made in 1968 in response to the assassination of the American president, John F. Kennedy. In this print, Warhol takes an image of the Presidential Seal which would appear on news screens following announcements regarding Kennedy’s assassination.
The print is part of the Flash November 22 collection, a body of eleven screen prints, all of which take images that circulated in the mass media following the assassination of the president. Flash November 22 (F. & S. II.33) is one of the few prints in the series that does not feature Kennedy himself or his wife, First Lady Jackie Kennedy. The collection encapsulates the media’s obsession with tragedy and Warhol’s fascination with the way tragic events were reported in the news.
Warhol’s works tend to be characterised by their bright and bold colours and graphic lines. In this print, however, a sombre dark grey dominates the composition and the faded image of the seal lacks definition.
