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Diamond Dust Shoes (F. & S. II.253) - Signed Print by Andy Warhol 1980 - MyArtBroker

Diamond Dust Shoes (F. & S. II.253)
Signed Print

Andy Warhol

£60,000-£100,000Value Indicator

$120,000-$210,000 Value Indicator

$110,000-$190,000 Value Indicator

¥590,000-¥980,000 Value Indicator

€70,000-€120,000 Value Indicator

$640,000-$1,070,000 Value Indicator

¥11,940,000-¥19,900,000 Value Indicator

$80,000-$140,000 Value Indicator

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102 x 151cm, Edition of 60, Screenprint

Medium: Screenprint

Edition size: 60

Year: 1980

Size: H 102cm x W 151cm

Signed: Yes

Format: Signed Print

Last Auction: September 2023

Value Trend:

-2% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
September 2023
Christie's London
United Kingdom
N/A
N/A
N/A
January 2023
Phillips London
United Kingdom
April 2021
Ressler Kunst Auktionen
Austria
September 2020
Sotheby's Online
United Kingdom
November 2018
Phillips Hong Kong
Hong Kong
December 2017
Forum Auctions London
United Kingdom
October 2017
Christie's New York
United States
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Track auction value trend

The value of Andy Warhol’s Diamond Dust Shoes (F. & S. II.253) is estimated to be worth between £60,000 and £100,000. This signed screenprint, created in 1980, has shown consistent value growth, with an auction history of 13 total sales since its entry to the market on 13th December 1999. In the past five years, the hammer price has ranged from £69,312 in April 2021 to £95,000 in January 2023. The average annual growth rate of this artwork is 2%. This work is part of a limited edition of 60.

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Meaning & Analysis

Diamond Dust Shoes (F. & S. II. 253) is part of the Diamond Dust Shoes series. In this series Warhol returns to a familiar subject- women’s shoes. Warhol started his artistic career as a freelance commercial illustrator and was well known for his illustrations of shoes that were featured in fashion magazines such as Glamour, Vogue and Harper’s Bazaar. This series was produced late in Warhol’s career at a time in which he was revisiting and reimagining old subject matter such as the Campbell’s Soup Cans and Electric Chairs.

While Warhol returns to familiar territory, this series demonstrates Warhol’s critical re-examination of his past work. Indeed, Warhol updates his depiction of women’s shoes, transforming his illustrations that favoured the blotted line technique, using a new method- the incorporation of diamond dust. This method, borrowed from Rupert Jasen Smith who Warhol named as a ‘master printmaker’, involved using diamond dust particles to enrich the surface of the prints. This was a novel approach to printmaking for Warhol and the Diamond Dust series is the first body of work in which Warhol used this kind of material in his screen printing process. The use of such a luxurious material carries with it connotations of glamour and excess, transforming the everyday commodity into a high-value symbol of celebrity and extravagance.