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Chanel (F. & S. II.354) - Signed Print by Andy Warhol 1985 - MyArtBroker

Chanel (F. & S. II.354)
Signed Print

Andy Warhol

£170,000-£260,000Value Indicator

$350,000-$540,000 Value Indicator

$320,000-$480,000 Value Indicator

¥1,660,000-¥2,530,000 Value Indicator

200,000-300,000 Value Indicator

$1,810,000-$2,770,000 Value Indicator

¥33,780,000-¥51,670,000 Value Indicator

$230,000-$350,000 Value Indicator

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97 x 96cm, Edition of 190, Screenprint

Medium: Screenprint
Edition size: 190
Year: 1985
Size: H 97cm x W 96cm
Signed: Yes
Format: Signed Print
Last Auction: April 2025
Value Trend:
11% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2025
Christie's New York
United States
$150,000
$180,000
$230,000
April 2025
Rosebery's Fine Art Auctioneers
United Kingdom
September 2023
Sotheby's London
United Kingdom
June 2023
Bonhams New Bond Street
United Kingdom
April 2023
Sotheby's New York
United States
March 2021
Sotheby's Online
United Kingdom
September 2020
Phillips London
United Kingdom
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Track auction value trend

The value of Andy Warhol’s Chanel (F. & S. II.354) is estimated to be worth between £170,000 and £260,000. This signed screenprint, created in 1985, has shown consistent value growth, with an average annual growth rate of 11%. This work has an auction history of 18 total sales since its entry to the market in April 1998. Over the past 12 months, the hammer price has ranged from £130,000 in April 2025 to £171,349 in September 2023, with a total of 2 sales. The average return to the seller for this piece is £120,226. The edition size of this artwork is limited to 190.

Created with Highcharts 11.4.8Sep 2020Jun 2021Mar 2022Dec 2022Oct 2023Jul 2024Apr 2025$120,000$140,000$160,000$180,000$200,000$220,000$240,000© MyArtBroker

Meaning & Analysis

Chanel (F. & S. II.354) is part of the Ads series, produced by Warhol two years before his death. In this series, Warhol reproduced recognisable emblems and logos that were symbolic of American consumerism. Of all the ten prints in this series, Chanel (F. & S. II.354) resonates the most with Warhol’s earlier career as a commercial illustrator in New York in the 1950s.

Printed on Lenox Museum Board. this late print reveals a development in Warhol’s style as the gestural lines used to delineate the perfume bottle, along with the duotone background, bring a looser quality to the print, which contrasts with the mechanised aesthetic of his early works, such as the Campbell’s Soup series. The print also captures Warhol’s continued enthralment with consumerism in capitalist America. In Chanel (F. & S. II.354), Warhol elevates an everyday consumer good into a piece of art and, in doing so, he memorialises this icon of 20th century popular culture.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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