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Marilyn (F. & S. II.30) Signed Print

Andy Warhol: Marilyn (F. & S. II.30) - Signed Print

Marilyn (F. & S. II.30)

Marilyn (F. & S. II.30) - Signed Print by Andy Warhol 1967 - MyArtBroker

Marilyn (F. & S. II.30)
Signed Print

Andy Warhol

£100,000-£140,000

$200,000-$270,000 Value Indicator

$180,000-$250,000 Value Indicator

¥920,000-¥1,290,000 Value Indicator

€120,000-€170,000 Value Indicator

$1,010,000-$1,410,000 Value Indicator

¥19,690,000-¥27,560,000 Value Indicator

$130,000-$180,000 Value Indicator

11% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 250

Year: 1967

Size: H 91cm x W 91cm

Signed: Yes

Format: Signed Print

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The value of Andy Warhol's Marilyn (F. & S. II.30) is estimated to be worth between £100,000 to £140,000. This signed screenprint, created in 1967, has shown consistent value growth, with an average annual growth rate of 11%. This popular artwork has an auction history of 29 total sales since its entry to the market on 14th October 1998. Over the past five years, the hammer price has ranged from £59,524 in March 2020 to £107,355 in April 2022. The current average return to the seller is £71,476, and the edition size of this piece is limited to 250.

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Auction Results

Auction Date	Auction House	Artwork	Hammer Price	Return to Seller	Buyer Paid
October 2024	Rago - United States	Marilyn (F. & S. II.30) - Signed Print
October 2023	SBI Art Auction - Japan	Marilyn (F. & S. II.30) - Signed Print
October 2023	Christie's New York - United States	Marilyn (F. & S. II.30) - Signed Print
July 2023	Finarte - Italy	Marilyn (F. & S. II.30) - Signed Print
October 2022	Phillips New York - United States	Marilyn (F. & S. II.30) - Signed Print
April 2022	Sotheby's New York - United States	Marilyn (F. & S. II.30) - Signed Print
October 2021	Sotheby's New York - United States	Marilyn (F. & S. II.30) - Signed Print

Meaning & Analysis

An unparalleled graphic exploration in repetition and colour, Marilyn (F. & S. II.30) is a print from Andy Warhol’s world-renowned Marilyn series from 1967. It depicts a portrait of the starred celebrity actress Marilyn Monroe, her face bright pink, hair hair, lips, eyes and nose green and her eyelids, iconic beauty mark and the portrait’s background coloured with light turquoise.

Shortly after her tragic death in 1962, Warhol had depicted Marilyn Monroe in 23 paintings based on a publicity photograph from the film Niagara (1953), cropped to bring greater attention to her features. This print shows an iteration of the same photograph that shows her face turned to her right and lips sensually parted with a smile. Marilyn (F. & S. II. 30) is particularly striking in its use of colour oppositions and high contrasts that are created with black ink layered on the top surface of the image.

Warhol was obsessed with reproducing Monroe’s image through the medium of screen printing and this body of work exemplifies the artist’s idea that ‘repetition adds up to reputation’. Significantly contributing to the ‘print boom’ of the 1960s, this series points to the way in which Warhol changed the course of art history through the screen printing method and obsessive repletion of his subject matter

read more about Marilyn Monroe

Read more about Andy Warhol Prints & Editions

read more about Marilyn Monroe

Read more about Andy Warhol Prints & Editions

Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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