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Marilyn (F. & S. II.26) Signed Print

Andy Warhol: Marilyn (F. & S. II.26) - Signed Print

Marilyn (F. & S. II.26)

Marilyn (F. & S. II.26) - Signed Print by Andy Warhol 1967 - MyArtBroker

Marilyn (F. & S. II.26)
Signed Print

Andy Warhol

£90,000-£130,000

$180,000-$250,000 Value Indicator

$160,000-$230,000 Value Indicator

¥830,000-¥1,200,000 Value Indicator

€110,000-€160,000 Value Indicator

$910,000-$1,310,000 Value Indicator

¥17,580,000-¥25,400,000 Value Indicator

$120,000-$170,000 Value Indicator

6% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 250

Year: 1967

Size: H 91cm x W 91cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Andy Warhol’s Marilyn (F. & S. II.26) is estimated to be worth between £90,000 and £130,000. This signed screenprint from 1967 has shown consistent value growth, with an average annual growth rate of 6%. Over the past 12 months, the average selling price was £88,455 across 1 total sale. In the last five years, the hammer price has varied from £70,560 in September 2022 to £110,000 in September 2023. This work has an auction history of 25 total sales since its entry to the market in October 1998. The edition size of this artwork is limited to 250.

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Auction Results

Auction Date	Auction House	Artwork	Hammer Price	Return to Seller	Buyer Paid
April 2024	Phillips New York - United States	Marilyn (F. & S. II.26) - Signed Print
September 2023	Christie's London - United Kingdom	Marilyn (F. & S. II.26) - Signed Print
March 2023	Sotheby's Paris - France	Marilyn (F. & S. II.26) - Signed Print
September 2022	Sotheby's Online - United Kingdom	Marilyn (F. & S. II.26) - Signed Print
October 2021	Sotheby's New York - United States	Marilyn (F. & S. II.26) - Signed Print
October 2019	Christie's New York - United States	Marilyn (F. & S. II.26) - Signed Print
October 2019	Bonhams Los Angeles - United States	Marilyn (F. & S. II.26) - Signed Print

Meaning & Analysis

Andy Warhol’s print Marilyn (F. & S. II.26) from his famed Marilyn series made up of 10 screen prints in varying colour combinations, was published by the artist and his assistants under the name Factor Additions in 1967. The print features an iconic portrait of the world-famous actress Marilyn Monroe and has become synonymous with 20th century popular culture.

Shortly after her tragic death in 1962, Warhol had depicted Marilyn Monroe in 23 paintings based on a publicity photograph from the film Niagara (1953), cropped to bring greater attention to her features. In this reiteration of the portrait, Warhol has appropriated the same photograph that shows her face turned slightly to her right and lips parted with a smile. The image is flattened and subdued colours of grey, yellow and blue are used against a pop of neon pink of Monroe’s lips and clothing. Warhol was obsessed with reproducing Monroe’s image through the medium of screen printing and this body of work is exemplary of Warhol’s unrivalled graphic exploration in colour, contrast and repetition.

Changing the course of art history, Warhol’s Marilyn series indicative of the artist’s infatuation with celebrity culture and his subsequent willingness to self-publicise. Hitting on the darker side of fame by publishing this print immediately following Monroe’s death, Warhol points to the thin veneer of glamour that her image portrayed in the mass-media.

read more about Marilyn Monroe

Read more about Andy Warhol Prints & Editions

read more about Marilyn Monroe

Read more about Andy Warhol Prints & Editions

Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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