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Marilyn (F. & S. II.23) - Signed Print by Andy Warhol 1967 - MyArtBroker

Marilyn (F. & S. II.23)
Signed Print

Andy Warhol

£150,000-£230,000Value Indicator

$310,000-$470,000 Value Indicator

$280,000-$420,000 Value Indicator

¥1,450,000-¥2,220,000 Value Indicator

170,000-270,000 Value Indicator

$1,580,000-$2,430,000 Value Indicator

¥29,950,000-¥45,920,000 Value Indicator

$200,000-$310,000 Value Indicator

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91 x 91cm, Edition of 250, Screenprint

Medium: Screenprint
Edition size: 250
Year: 1967
Size: H 91cm x W 91cm
Signed: Yes
Format: Signed Print
Last Auction: October 2023
Value Trend:
7% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2023
Christie's New York
United States
£133,215
£156,723
£197,471
October 2023
Bukowskis, Stockholm
Sweden
May 2023
Bonhams New York
United States
April 2023
Phillips New York
United States
November 2022
Bonhams New York
United States
October 2022
Phillips New York
United States
October 2022
Sotheby's London
United Kingdom
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Track auction value trend

The value of Andy Warhol’s Marilyn (F. & S. II.23) is estimated to be worth between £150,000 and £230,000. This signed screenprint, created in 1967, has shown consistent value growth, with an average annual growth rate of 7%. This popular artwork has an auction history of 30 total sales since its entry to the market in June 2000. In the last 12 months, the hammer price has ranged from £47,466 in October 2023 to £260,000 in October 2022. Over the past five years, the average annual growth rate of this work has been 7%. The edition size of this artwork is limited to 250.

Created with Highcharts 11.4.8Oct 2022Dec 2022Feb 2023Apr 2023Jun 2023Aug 2023Oct 2023£100,000£120,000£140,000£160,000£180,000£200,000© MyArtBroker

Meaning & Analysis

Shortly after her tragic death in 1962, Warhol had depicted Marilyn Monroe in 23 paintings based on a publicity photograph from the film Niagara (1953), cropped to bring greater attention to her features. This print shows an iteration of the same photograph that shows her face turned to her right and lips sensually parted with a smile. Marilyn (F. & S. II.23) is particularly striking in its bold use of colour oppositions and high contrasts that are created with black ink layered on the top surface of the image.

Warhol was obsessed with reproducing Monroe’s image through the medium of screen printing and this body of work exemplifies the artist’s idea that ‘repetition adds up to reputation’. Significantly contributing to the ‘print boom’ of the 1960s, this series points to the way in which Warhol changed the course of art history through the screen printing method and obsessive repletion of his subject matter

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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