Cow (F. & S. II.12)
Cow (F. & S. II.12)
Signed Print
Andy Warhol
£17,000-£25,000
$35,000-$50,000 Value Indicator
$30,000-$45,000 Value Indicator
¥160,000-¥230,000 Value Indicator
€20,000-€30,000 Value Indicator
$170,000-$250,000 Value Indicator
¥3,380,000-¥4,970,000 Value Indicator
$22,000-$30,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 150
Year: 1971
Size: H 116cm x W 76cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| December 2023 | Sotheby's New York - United States | Cow (F. & S. II.12) - Signed Print | |||
| March 2022 | Sotheby's New York - United States | Cow (F. & S. II.12) - Signed Print | |||
| April 2021 | Phillips New York - United States | Cow (F. & S. II.12) - Signed Print | |||
| March 2021 | Sotheby's New York - United States | Cow (F. & S. II.12) - Signed Print | |||
| February 2021 | Sotheby's Paris - France | Cow (F. & S. II.12) - Signed Print | |||
| January 2018 | Phillips London - United Kingdom | Cow (F. & S. II.12) - Signed Print | |||
| January 2018 | Doyle Auctioneers & Appraisers - United States | Cow (F. & S. II.12) - Signed Print |
Meaning & Analysis
The screen print Cow (F. & S. II. 12), from Andy Warhol’s Cow portfolio (1966-76), shows a grainy, screen printed image of a cow’s head, coloured in bright yellow and completed with an electric blue background. Each rendered in unique, vivid colour schemes, the four Cow paintings were originally published for display at an exhibition in The Modern Art Pavilion in Seattle in November 1976.
Warhol appropriated a photograph chosen by his printer Gerard Malanga to create the screen print, through which he experimented with a range of techniques and colour to form the entire series. As a further reiteration of the print, Warhol decided to print the Cow series onto wallpaper, directly playing into the notion of high art as a saleable commodity and bringing the value of fine art into question. Subsequently the print has been installed directly onto the walls of galleries and museums, including at Warhol’s 1966 show at the Leo Castelli Gallery.
In stark contrast to the artist’s portraits of celebrities and products of mass-consumerism in America, this print depicts a more universal and mundane subject to create a humorous and playful image. The vivid colour contrasts and repetition of subject has been said to subvert the mundane subject and allude to the amusing idea of a cow on an acid trip.
